| Biography | Joyce DiDonato (born February 13, 1969) is an American operatic lyric-coloratura mezzo-soprano particularly admired for her interpretations of the works of Handel, Mozart, and Rossini. She has performed with many of the world's leading opera companies and orchestras and in 2012 won a Grammy Award for Best Classical Vocal Solo.
DiDonato began her professional career in the 1998/1999 season singing with several regional opera companies in the United States. She most notably appeared as the main heroine, Maslova, in the world premiere of Tod Machover's Resurrection with the Houston Grand Opera. She gave a recital in San Francisco that year as part of the Schwabacher recital series.
In the 1999/2000 season, DiDonato performed the role of Meg in the world premiere of Mark Adamo's Little Women at Houston Grand Opera with Stephanie Novacek as Jo and Chad Shelton as Laurie. She performed the role of Cherubino in Mozart's Le nozze di Figaro with Santa Fe Opera and the role of Isabella in Rossini's L'italiana in Algeri with the New Israeli Opera. In addition, DiDonato gave a recital at New York's Morgan Library under the auspices of the George London Foundation and sang the mezzo-soprano solos in the Seattle Symphony's production of Handel's Messiah.
In the 2000/2001 season, DiDonato made her debut at La Scala as Angelina in Rossini's La Cenerentola, returned to Houston Grand Opera as Dorabella in Mozart's Così fan tutte, and sang the mezzo-soprano solos in Bach's Mass in B minor with the Ensemble Orchestral de Paris and conductor John Nelson.[8] In 2000, DiDonato received the ARIA (Awards Recognizing Individual Artistry) award, which annually recognized American "vocal artists of exceptional ability and undeniable promise".
In the 2001/2002 season DiDonato made her debut with Washington National Opera as Dorabella in Mozart's Così fan tutte, her debut with De Nederlandse Opera as Sesto in Handel's Giulio Cesare, her debut with Opéra National de Paris as Rosina in Rossini's Il barbiere di Siviglia, her debut with Bavarian State Opera as Cherubino in Mozart's Le nozze di Figaro under the baton of Zubin Mehta, and returned to Santa Fe Opera to perform the role of Annio in Mozart's La clemenza di Tito. She made several concert appearances including performances of Vivaldi's Gloria with Riccardo Muti and the La Scala Orchestra and Mendelssohn's A Midsummer Night's Dream with Ensemble Orchestral de Paris. In 2002, DiDonato was given the Richard Tucker Award.
In the 2002/2003 season, DiDonato made her debut with the New York City Opera as Sister Helen in Jake Heggie's Dead Man Walking, her debut with Théâtre du Châtelet in the title role of Rossini's La cenerentola, her debut at the Royal Opera House as Zlatohrbitek the fox in Janácek's The Cunning Little Vixen under the baton of Sir John Eliot Gardiner, and her debut with the New National Theatre Tokyo as Rosina in Rossini's Il barbiere di Siviglia. She performed the title role in Rossini's Adina at the Rossini Opera Festival in Pesaro and the role of Cherubino in Mozart's Le nozze di Figaro with Opéra Bastille. In concert, DiDonato performed Mozart's Requiem with the Seattle Symphony, Berlioz's Les nuits d'été with the Ensemble Orchestral de Paris, and made her Carnegie Hall debut in a production of Bach's Mass in B Minor with the Orchestra of St. Luke's under the baton of Peter Schreier. She toured Europe with Marc Minkowski and Les Musiciens du Louvre in performances of Les nuits d'été.[9] In 2003 DiDonato was the recipient of New York City Opera's Richard Gold Debut Award
In the 2003/2004 season, DiDonato made her debut with the San Francisco Opera as Rosina in Rossini's Il barbiere di Siviglia and reprised the role with Houston Grand Opera. She performed Idamante in Mozart's Idomeneo with De Nederlandse Opera and at the Aix-en-Provence Festival. She sang the role of Ascanio in a concert performance of Berlioz's Benvenuto Cellini with the Orchestre National de France and appeared in solo recitals at the Lincoln Center, the Kennedy Center, Kansas City's Folly Theater, and Wigmore Hall among others. She sang at the Hollywood Bowl in a production of Beethoven's Symphony No. 9 with the Los Angeles Philharmonic.
In the 2004/2005 season, DiDonato made her debut with the Grand Théâtre de Genève as Elisabetta in Donizetti's Maria Stuarda. She returned to La Scala in the role of Angelina in Rossini's La Cenerentola and once again played Rosina in a new production of Rossini's Il barbiere di Siviglia by Luca Ronconi at the Pesaro Festival and the Teatro Comunale di Bologna.
In the 2005/2006 season, DiDonato made her Metropolitan Opera debut as Cherubino in Le nozze di Figaro and played Stéphano in Gounod's Roméo et Juliette at the Met. She returned to the Royal Opera House as Rosina in Il barbiere di Siviglia, sang her first Sesto in Mozart's La clemenza di Tito with Grand Théâtre de Genève, and sang the role of Dejanira in Handel's Hercules at the Brooklyn Academy of Music in New York and at the Barbican Centre in London with William Christie. In addition, DiDonato appeared in several concerts with the New York Philharmonic and gave a recital at Wigmore Hall in London. She closed the Santa Fe Opera's 50th anniversary season in the title role of Massenet's Cendrillon.[8] In 2006, DiDonato was given the Royal Philharmonic Society Singer Award.
In the 2006/2007 season, DiDonato debuted at the Teatro Real as the Composer in Richard Strauss' Ariadne auf Naxos, returned to the Opéra National de Paris as Idamante in Mozart's Idomeneo, and returned to Houston Grand Opera as Angelina in La Cenerentola. She sang Rosina in Il barbiere di Siviglia at the Metropolitan Opera and sang her first Octavian in Richard Strauss' Der Rosenkavalier with the San Francisco Opera. She toured the U.S. and Europe on an extensive recital tour with accompianist Julius Drake.[10] DiDonato won the Metropolitan Opera's Beverly Sills Award in 2007.
In the 2007/2008 season, DiDonato debuted at the Liceu as Angelina in La Cenerentola and at the Lyric Opera of Chicago as Rosina in Il barbiere di Siviglia. She sang the title role in Handel's Alcina with Alan Curtis and Il Complesso Barocco and the title role in Handel's Ariodante at the Grand Théâtre de Genève. She sang Roméo in Bellini's I Capuleti e i Montecchi with Opéra Bastille and returned to Madrid's Teatro Real as Idamante in Idomeneo in July 2008. DiDonato also gave recitals at La Scala, Lincoln Center, and the Brooklyn Academy of Music, and performed a special concert of Handel arias which was recorded in Brussels.
In the 2008/2009 season, DiDonato returned to Covent Garden as Donna Elvira in Mozart's Don Giovanni and as Rosina in Il barbiere di Siviglia. In a performance of that opera on July 7, DiDonato slipped onstage and broke her right fibula; she finished the first act hobbling and the rest of the performance on crutches. She then performed the five remaining scheduled performances from a wheelchair.[13] She performed the roles of Beatrice in Berlioz's Béatrice et Bénédict with Houston Grand Opera, Idamante in Mozart's Idomeneo with Opéra National de Paris, and Rosina in Il barbiere di Siviglia in her debut with Vienna State Opera. DiDonato also appeared in concerts with the New York Philharmonic, Kansas City Symphony, and the Metropolitan Opera Orchestra, the latter of which under the baton of James Levine. She toured Europe and the United States with Les Talens Lyriques giving concerts of Handel arias, including performances at Wigmore Hall and the Rossini Opera Festival.
At the 54th Grammy Awards on February 12, 2012, the Grammy for Best Classical Vocal Solo was awarded to DiDonato for her solo recording Diva Divo.
In 2012, DiDonato was voted into Gramophone's Hall of Fame. In April 2012, DiDonato sang the role of Mary Stuart in Donizetti's Maria Stuarda with the Houston Grand Opera. She repeated the role in the opera's premiere at the Metropolitan Opera in January 2013.
In spring 2013, DiDonato starred in a new production of Rossini's La donna del lago given by The Royal Opera, Covent Garden.] A new production was mounted by The Santa Fe Opera during its 2013 festival season, also starring Joyce DiDonato, and Lawrence Brownlee as Uberto. For the first time in its 57-year history, The Santa Fe Opera added an extra performance of La donna del lago due to unprecedented ticket demand.On the 7 September 2013 she performed at the Last Night of the Proms, |