Main Performers | James Bowman, Martyn Hill, Wynford Evans, Ian Partridge, John Carol Case, Christopher Keyte, Elizabeth Lane, Prudence Lloyd - vocals, Alan Loveday - violin, Douglas Whittaker, Martin Parry - flutes, Barbara Hill - harpsichord |
Choirs | Martindale Sidwell Choir, Cantores In Ecclesia |
Conductors | Michael Howard, Martindale Sidwell, David Munrow |
Set List | 'L'Amor Dona Ch'Io Te Porto' (Early Music Consort), 'Dios Te Salve, Cruz Preciosa' (Early Music Consort), 'Fantasia', Tomas De Santa Maria (Early Music Consort), 'Ut Queant Laxis', Alonso Dalua (Early Music Consort), 'La Tricotea Samartin La Vea', Alonso (Early Music Consort), 'Two Recercadas', Diego Ortiz (Early Music Consort), 'Guarda, Dona, El Mio Tormento' (Early Music Consort), 'Virgen Bendita Sin Par', Pedro De Escobar (Early Music Consort), 'Jancu', Janto (Early Music Consort), 'Dances' from Terpsichore 1612, Praetorius (Early Music Consort), 'Ave Maria', Josquin Des Pres (Cantores In Ecclesia), 'Ave Maria', Josquin Des Pres (Cantores In Ecclesia), 'Veni Sancte Spiritus', Josquin Des Pres (Cantores In Ecclesia), 'Veni Sancte Spiritus', Josquin Des Pres (Cantores In Ecclesia), 'Psalm 111: Beatus Vir (Primo)', Monteverdi (Elizabeth Lane, Prudence Lloyd, Wynford Evans, Ian Partridge, John Carol Case, Christopher Keyte, Martindale Sidwell Choir), 'Motet: Adoramus Te,Christe', Monteverdi (Elizabeth Lane, Prudence Lloyd, Wynford Evans, Ian Partridge, John Carol Case, Christopher Keyte, Martindale Sidwell Choir), 'Madrigal: O Ciechi Ciechi', Monteverdi (Elizabeth Lane, Prudence Lloyd, Wynford Evans, Ian Partridge, John Carol Case, Christopher Keyte, Martindale Sidwell Choir), 'Psalm 121: Laetatus Sum', Monteverdi (Elizabeth Lane, Prudence Lloyd, Wynford Evans, Ian Partridge, John Carol Case, Christopher Keyte, Martindale Sidwell Choir), 'Brandenburg Concerto No.4 in G Major for Violin, Two Flutes and Strings', Bach (Alan Loveday, Martin Parry, Douglas Whittaker, Barbara Hill, London Bach Orchestra) |
Related Archival Material | Proms Guide (RAHE/1/1971/98), Programme (RAHE/1/1971/123), Poster (RAHE/2/1971/2) |