| Main Performers | Paget Bowman (Advisory Director to the British National Opera Company) - speaker
Walter Hyde,
Noel Eadie,
Parry Jones,
Norman Allin,
Clara Serena,
Evelyn Scotney,
Harold Williams,
Heddle Nash,
Robert Radford,
Rachel Morton,
Percy Heming,
Justine Griffiths - vocals |
| Orchestra or Band | The British National Opera Company's Orchestra |
| Conductors | Aylmer Buesst,
Eugene Goossens,
Leslie Heward |
| Set List | 'Overture' from The Mastersingers, Wagner (Orchestra),
'Spring Song' from The Valkyrie, Wagner (Walter Hyde),
'There's A Voice That I Enshrine' from Barber of Seville, Rossini (Noel Eadie),
'Oh! Heavenly Aida' from Aida, Verdi (Parry Jones),
'O, Isis And Osiris' from The Magic Flute, Mozart (Norman Allin),
'See The Way You Rogues Come Prying' from Il Seraglio, Mozart (Norman Allin),
'O Love From Thy Power' from Samson and Delilah, Saint-Saens (Clara Serena),
'Wotan's Farewell and Fire Music' from The Valkyrie, Wagner (Harold Williams),
'Overture' from Marriage of Figaro, Mozart (Orchestra)
INTERVAL - A Short Explanatory Statement (Paget Bowman)
'E'er Since The Day' from Louise, Charpentier (Evelyn Scotney),
'Down Her Pale Cheek' from L'Elisir D'Amore, Donizetti (Heddle Nash),
'Dream Song' from Manon, Massenet (Heddle Nash),
'My Power Is Absolute' from Boris Godunov, Moussorgski (Robert Radford),
'Elizabeth's Greeting' from Tannhauser, Wagner (Rachel Morton)
'The Toreador's Song' from Carmen, Bizet (Percy Heming),
'Quintet' from The Mastersingers, Wagner (Rachel Morton, Justine Griffiths, Heddle Nash, Parry Jones, Harold Williams) |
| Related Archival Material | Programme (RAHE/1/1928/3) |