| Variations of Name | Jessie Margaret Monro, Jessie Margaret Lytton |
| Relationships | Jessie was the daughter of Mr and Mrs George Matthews and was one of 16 children (11 of whom survived into adulthood).
Matthews had several romantic relationships conducted in the public eye, often causing controversy in the newspapers.
She married her first husband, actor Henry Lytton Jr, (Mr. Lord Alva Lytton) (son of singer and actress Louie Henri and Sir Henry Lytton the doyen of the Savoy Theatre) on 17 February 1926. They divorced in 1929 on the grounds of adultery by both parties. Norman Birkett, who later went on appear for Wallis Simpson in her divorce, represented Jessie in court in her own divorce cases. Jessie's second husband was the man in question.
She then married actor and director Sonnie Hale (John Robert Hale Monro) in 1931. Hale had been married to actress and singer Mrs Evelyn Elsie Monro (better known as Miss Evelyn 'Boo' Lace) at the time of this relationship. The divorce between Sonnie and Evelyn on the grounds of adultery made headlines. During the court hearing, love letters between Sonnie and Jessie were used as evidence. The high-court judge referred to Sonnie as a 'cad' and Jessie as being 'a person of an odious mind.' (The Times 12 July 1930). It took some time for Matthews' popularity to recover from this scandal. "If I ceased to be a star", she wrote in a piece for Picturegoer in 1934, "all that interest in my home life would evaporate, I believe. Perhaps it is the price one has to pay for being a star".In 1934, it was reported that Jessie gave birth to a son, who died a few hours after childbirth. They eventually adopted a daughter, Catherine Hale-Monro, who married Count Donald Grixoni in 1958. Sonnie and Jessie divorced in 1944 on the grounds of adultery.
Her third husband was military officer Lt. Brian Lewis, who she married in 1945 and divorced in 1959. |
| Biography | Jessie Matthews, OBE was an English actress, dancer and singer of the 1930s, whose career continued into the post-war period.
Jessie Margaret Matthews was born in a flat behind a butchers shop at 94 Berwick Street, Soho, London, in relative poverty, the seventh of sixteen children (of whom eleven survived) of a fruit-and-vegetable seller. She took dancing lessons as a child in a room above the local public house at 22 Berwick Street.
She debuted on stage on 29 December 1919, aged 12, in Bluebell in Fairyland, by Seymour Hicks, music by Walter Slaughter and lyrics by Charles Taylor, at the Metropolitan Music Hall, Edgware Road, London, as a child dancer; she made her film debut in 1923 in the silent film The Beloved Vagabond.
Matthews was in the chorus in Charlot Review in London. She went with the show to New York, where she was also understudy to the star, Gertrude Lawrence. When Lawrence fell ill, she took over the role and was given great reviews. Matthews was acclaimed in the United Kingdom as a dancer and as the first performer of numerous popular songs of the 1920s and 1930s, including "A Room with a View" and London Calling! by Noël Coward and "Let's Do It, Let's Fall in Love" by Cole Porter. After a string of hit stage musicals and films in the mid-1930s, Matthews developed a following in the USA, where she was dubbed "The Dancing Divinity". Her British studio was reluctant to let go of its biggest name, which resulted in offers for her to work in Hollywood being repeatedly rejected.
Matthews' fame reached its initial height with her lead role in the 1930 stage production of Ever Green, premiered at the Alhambra Theatre Glasgow, a musical by Rodgers and Hart that was partly inspired by the life of music hall star Marie Lloyd, and her daughter's tribute act resurrection of her mother's acclaimed Edwardian stage show as Marie Lloyd Junior. At its time Ever Green, which included the first major revolving stage in Britain, was the most expensive musical ever mounted on a British stage. The 1934 cinematic adaptation featured the newly composed song Over My Shoulder which was to go on to become Matthews' personal theme song, later giving its title to her autobiography and to a 21st-century musical stage show of her life.
Her distinctive warbling voice and round cheeks made her a familiar and much-loved personality to British theatre and film audiences at the beginning of World War II, but her popularity waned in the 1940s after several years' absence from the screen followed by an unsatisfactory thriller, Candles at Nine. Post-war audiences associated her with a world of hectic pre-war luxury that was now seen as obsolete in austerity-era Britain.[6]
After a few false starts as a straight actress she played Tom Thumb's mother in the 1958 children's film, and during the 1960s found new fame when she took over the leading role of Mary Dale in the BBC's long-running daily radio soap, The Dales, formerly Mrs Dale's Diary.
Live theatre and variety shows remained the mainstay of Matthews' work through the 1950s and 1960s, with successful tours of Australia and South Africa interspersed with periods of less glamorous but welcome work in British provincial theatre and pantomimes. She became a stalwart nostalgia feature of TV variety shows such as The Night Of A Thousand Stars and The Good Old Days.
Jessie Matthews was awarded an OBE in 1970 and continued to make cabaret and occasional film and television appearances through the decade including one-off guest roles in the popular BBC series Angels and an episode of the ITV mystery anthology Tales of the Unexpected. She took her one-woman stage show to Los Angeles in 1979 and won the United States Drama Logue Award for the year's best performance in concert.
Matthews suffered from periods of ill-health throughout her life and eventually died of cancer, aged 74. She is buried at St Martin's Church, Ruislip. |