| Main Performers | Michael Crawford,
Howard Keel - speakers,
Roy Hudd,
Kenneth Nichols,
Philip Quast,
Howard Keel,
Lauri Landry,
Leo Andrew,
Teri Bibb,
D Michael Heath,
Kelli James Chase,
David Michael Johnson,
Connie Kunkle,
Patricia Nessy - vocals,
Cy Coleman - piano,
Stephen Disley - organ,
Justin Pearson - cello
200 Students from the Sylvia Young Theatre School |
| Set List | 'The Night of 1000 Voices Overture', arr. Chris Walker (City of London Philharmonic Orchestra),
'Another Op'nin, Another Show' from Kiss Me Kate, Porter (Company, Chorus, City of London Philharmonic Orchestra),
'There's No Business Like Show Business' from Annie Get Your Gun, Berlin (Company, Chorus, City of London Philharmonic Orchestra, Gloria Hunniford),
'It Ain't Necessarily So' from Porgy and Bess, Gershwin, arr. John Coleman (David Michael Johnson, City of London Philharmonic Orchestra),
'Oklahoma' from Oklahoma!, Rodgers (Philip Quast, Company, Chorus, Audience, City of London Philharmonic Orchestra),
'Almost Like Being in Love' from Brigadoon, Loewe (Lauri Landry, D Michael Heath, City of London Philharmonic Orchestra),
'Luck Be a Lady', and 'Down You're Rocking the Boat' from Guys and Dolls, Loesser (Kenneth Nichols, Leo Andrew and The Men, City of London Philharmonic Orchestra),
'There's Nothing Like a Dame' from South Pacific, Rodgers (Soloists, Sylvia Young Company, City of London Philharmonic Orchestra),
'You'll Never Walk Alone' from Carousel, Rodgers (Connie Kunkle, City of London Philharmonic Orchestra),
'Glitter and be Gay' from Candide, Bernstein (Patricia Nessy, City of London Philharmonic Orchestra),
'Make Our Garden Grow' from Candide, Bernstein (Lauri Landry, D Michael Heath, City of London Philharmonic Orchestra),
'Get Me to the Church on Time' from My Fair Lady, Loewe (Roy Hudd, Company & Chorus, Audience, City of London Philharmonic Orchestra),
'Tonight Quintet' from West Side Story, Bernstein (Teri Bibb, Philip Quast, Connie Kunkle, Leo Andrew, The Noda Centenary Chorus, City of London Philharmonic Orchestra),
'Don't Cry For Me Argentina' from Evita, Lloyd Webber (Kelli James Chase, City of London Philharmonic Orchestra)
INTERVAL - Organ music (Stephen Disley)
'Superstar' from Jesus Christ Superstar, Lloyd Webber (David Michael Johnson, Company, Chorus, City of London Philharmonic Orchestra, Gloria Hunniford),
'The Rhythm of Life' from Sweet Charity, Cy Coleman (The Noda Centenary Chorus, City of London Philharmonic Orchestra),
Introduction to Cy Coleman (Don Pippin),
Piano Solo (Cy Coleman),
'The International Hello, Dolly!' from Hello Dolly, Herman, orch. Art Harris (City of London Philharmonic Orchestra),
'Hello, Dolly' from Hello Dolly, Herman, vocal arr. Don Pippin (The Noda Centenary Chorus, Audience, City of London Philharmonic Orchestra),
'Ice Cream' from She Loves Me, Bock (Teri Bibb, City of London Philharmonic Orchestra),
'Anthem' from Chess, Ulvaeus, Andersson (D Michael Heath, Noda Centenary Chorus, City of London Philharmonic Orchestra),
'The Jellicle Ball' from Cats, Lloyd Webber, arr. David Cullen (City of London Philharmonic Orchestra),
'Memory' from Cats, Lloyd Webber (Kelli James Chase, Lauri Landry, City of London Philharmonic Orchestra),
'Do You Hear the People Sing?' from Les Miserables, Schonberg (Noda Centenary Chorus, City of London Philharmonic Orchestra),
'A Good Thing Going' and 'Not a Day Goes By' from Merrily We Roll Along, Sondheim, arr. David Firman (Philip Quast, Justin Pearson),
'Sail on Titanic' from Titanic, Yeston, arr. Don Pippin (Noda Centenary Chorus, City of London Philharmonic Orchestra),
'Ol' Man River' from Show Boat, Kern (Kenneth Nichols, Company, Chorus, City of London Philharmonic Orchestra),
The Lifetime Achievement Awards Presentations to Cy Coleman, Elaine Paige [by phone from New York], Howard Keel, Michael Crawford,
'The Circle of Life' from The Lion King, Elton John, arr. David Firman (Philip Quast, Full Company, Children from Sylvia Young Theatre School, City of London Philharmonic Orchestra) |
| Related Archival Material | Programme (RAHE/1/1999/21),
Handbill (RAHE/6/1999/16),
Poster (RAHE/2/1999/46) |