| Main Performers | Amalie Friedrich-Materna,
Babette Waibel,
Elisabeth Exter,
Friederike von Sadler-Grun,
Georg Unger,
Karl Hill,
Herr Chandon,
Max Schlosser - vocals |
| Orchestra or Band | Wagner Festival Orchestra |
| Choirs | Bayreuth Festival Vocalists |
| Conductors | Richard Wagner,
Hans Richter,
Dannreuther |
| Set List | Huldigungsmarsch (Wagner Festival Orchestra),
Lohengrin:
Selections from Act II,
'Introduction and first scene' (Karl Hill, Amalie Friedrich-Materna, Wagner Festival Orchestra),
Scene II (Friederike von Sadler-Grun, Karl Hill, Amalie Friedrich-Materna, Wagner Festival Orchestra),
Excerpt from Act III (Friederike von Sadler-Grun, Georg Unger, Wagner Festival Orchestra),
Prelude to Act I (Wagner Festival Orchestra)
INTERVAL
Siegfried:
First Act,
'Prelude and First Scene' (Max Schlosser, Georg Unger, Wagner Festival Orchestra),
Final Scene: The Welding of the Sword (Max Schlosser, Georg Unger, Wagner Festival Orchestra),
Large Exerpt from Act II (Max Schlosser, Georg Unger, Herr Chandon, Friederike von Sadler-Grun, Wagner Festival Orchestra) |
| Performance Notes | This series of eight concerts was originally scheduled to comprise of just six, but two subsequent 'Farewell Concerts' were later added to the booking at the approval of the Hall's Council. The initial six concerts, to be held between 7-19 May, were arranged via Mr Hodge and Mr Essex, the London agents for Richard Wagner, at a rent of £500. The Hall's Manager subsequently let the Hall for two additional concerts at a rent of £45 and £50. The Hall's Council minutes record that, '...the concerts had proved a financial success to the promoters and artistes.'
Wilhelmj was the concert master and Richter and Dannreuther were the rehearsal conductors. Soloists were from the Bayreuth Festival and included Frau Materna, Frau von Sadler-Grün, Fraulein Babette Waibel, Fraulein Elisabeth Exter, Herr Unger, Herr Hill, Herr Chandon and Herr Schlosser. It was intended that Wagner should conduct selections from his operas during the first half of each concert, with Richter taking over after the interval, however Wagner was intimidated by the size of the Hall and found himself unable to manage during the rehearsal. In the event Wagner actually only conducted the first item of each programme. After that he handed his baton over to Richter and sat in a large arm chair on the corner of the stage for the rest of each concert. The public were not impressed and it was necessary to add two further concerts at reduced prices, with artists and orchestra accepting half salaries in order for this Wagner Festival not to be a complete financial disaster.
George Bernard Shaw reported that the Wagner conducted a vast and clumsy orchestra of about 170 players with the air of a man, who hoped he might never be condemned to listen to such a performance again. |
| Related Archival Material | Programme (RAHE/1/1877/2),
Ticket (RAHE/8/5/1877/1) |