Main Performers | Martha Argerich, Daniel Barenboim - pianos |
Orchestra or Band | West-Eastern Divan Orchestra |
Set List | 'Con Brio', Jorg Widmann (West-Eastern Divan Orchestra), 'Piano Concerto No.1 in E Flat Major ', Liszt (Argerich, West-Eastern Divan Orchestra) ENCORE 'Rondo in A Major D951', Schubert (Barenboim, Argerich) INTERVAL 'Overture' from Tannhäuser, Wagner (West-Eastern Divan Orchestra), 'Dawn', 'Siegfried's Rhine Journey', and 'Funeral March' from Götterdämmerung, Wagner (West-Eastern Divan Orchestra), 'Overture' from The Mastersingers of Nuremberg, Wagner (West-Eastern Divan Orchestra) ENCORE 'Prelude to Act III' from The Mastersingers of Nuremberg, Wagner, 'Prelude to Act III' from Lohengrin, Wagner |
Performance Notes | Daniel Barenboim returns with his orchestra of young Arabs and Israelis, and with another iconic musician, Martha Argerich. Composer Jörg Widmann harnessed the energy of Beethovens fast movements in the exercise in fury and rhythmic insistence that is his Con brio. After Liszts thunderously virtuosic First Piano Concerto, Daniel Barenboim who conducted Wagners Ring cycle at the Proms in 2013 concludes with powerful excerpts from three of the composers operas.
Recorded for broadcast on BBC Four on 28 August 2016.
Premiere performance of revised version at Proms of 'Con Brio', Jorg Widmann.
Argerich, "...and Barenboim - who played together as children in Buenos Aires - deliered a piano-duet encore almost as long as the concerto itself: Schubert's Rondo in A. Performed with wistful, almost autumnal charm, it held 6,000 people spellbound." The West-Eastern Divan Orchestra, "...play Wagner with mesmerising verve. And let's not forget the political courage required for musicians from the Middle East to play the antisemitic Wagner's music at all. It's still taboo in Israel. Only Barenboim makes these things happen." (The Times, 19 August 2016)
Full house. Approx. 400 people turned away. |
Related Archival Material | Proms Guide (RAHE/1/2016/50), Programme (RAHE/1/2016/92), Mini-Guide (RAHE/6/2016/45) |