| Main Performers | Gary Barlow - vocal, piano |
| Secondary Performers | Lulu,
Olly Murs,
Jason Donovan - vocals |
| Orchestra or Band | The Pierces (Allison Pierce - vocals, acoustic guitar, Catherine Pierce - vocals, percussion) |
| Set List | 'Greatest Day',
'Reach Out',
'Open Road',
'A Million Love Songs',
'Pray',
'Nobody Else',
'Big Band Medley - ft. 'Under My Skin', 'Fly Me to the Moon', 'Moon Dance',
'I'd Wait for Life',
'Love Ain't Here Anymore',
'Lie to Me',
'Why Can't I Wake Up with You',
'Forever Love',
'Could It Be Magic',
'Sunday to Saturday',
'Wasting My Time',
'Everything Changes',
'Relight My Fire',
'Patience',
'Too Many Broken Hearts', Jason Donovan,
'Back for Good',
'Shine' (with Olly Murs),
'Rule the World',
'Never Forget' |
| Performance Notes | Gary Barlow announces his first UK solo shows in over 11 years
'Gary Barlow in Concert' will be Gary's first full solo shows since 1999 and will see him perform songs from his incredible music career spanning over 20 years. Take That have sold over 30 million albums and seven million tour tickets over the course of their career, with their recent Progress Live Tour being the biggest tour that the UK and Ireland have ever seen. Gary's contribution to British Music as a whole has been unquestionable and his reputation as a singer, songwriter, pianist and performer is undeniable.
Monies raised from the two concerts will go to The Prince's Trust and The Foundation of Prince William and Prince Harry. The money raised for The Prince's Trust will support the charity's UK City Riots Appeal, helping disadvantaged young people from riot-torn areas to rebuild their lives and communities. The Foundation of Prince William and Prince Harry will also use the funds raised to support disadvantaged young people, which is one of the Foundation's three core project areas. In particular, it will use the funds to support innovative projects dedicated to providing young people with the tools and aspiration to fulfill their potential. |
| Related Archival Material | Programme (RAHE/1/2011/177),
Digital Photographs |