Main Performers | Grace Moore - vocal, Lauri Kennedy - violoncello, John Fry - violin obbligato |
Set List | Aria: 'L'Amero' (Il Re Pastore), Mozart (Grace Moore, John Fry), Cello Soli: 'Sonata', Sammartini (Lauri Kennedy), 'Sicilienne', Paradies (Lauri Kennedy), 'Allegro Spiritoso', Senaille (Lauri Kennedy), 'Depuis Le Jour' (Louise), Charpentier (Grace Moore), 'Bolero' from Carmen, Bizet (Grace Moore), 'Valse', Arensky (Grace Moore), 'Pano Murciano', Nin (Grace Moore), 'Gavotte' from Manon, Massenet (Grace Moore), Cello Soli: 'La Gitana' (The Gypsy), Kreisler (Lauri Kennedy), 'Tonadilla', Blas De Laserme (Lauri Kennedy), 'Melody', Rachmaninoff (Lauri Kennedy), 'Vito' (Spanish Dance), Popper (Lauri Kennedy), Songs: 'Ah! Love, But A Day!', H H A Beach (Grace Moore), 'Who'll Buy My Lavender?', Edward German (Grace Moore), 'Ma Curly Headed Babbie', George H Clutsam (Grace Moore), 'Serenade', John Alden Carpenter (Grace Moore), Aria, 'Un Bel Di Vedremo' from Madam Butterfly, Puccini (Grace Moore) |
Performance Notes | Paul Robeson was in the audience.
"Miss Grace Moore, singing star of Hollywood, since she became world-famous as a screen-star, has faced a battery of cameras daily. Last night, when she arrived at the Albert Hall for her song recital, she told management that she would not go on the platform until she had a guarentee that there were no photographers in the building. Kreisler, Menuhin, Robeson, all great artists, have accepted the accolade of publicity at the Albert Hall that take sthe form of an array of cameras, sometimes with flashlights, at the end of their numbers, sometimes when they are performing. From her first number Miss Moore held her audience of six thousand. Mr Paul Robeson headed the stampede to her dressing-room after the show. Here, chewing gum in a most natural way, she held court for half an hour. Then she left to the cheers of the crowd." (Country Life, 13 June 1936, page 633) |
Related Archival Material | Programme (RAHE/1/1936/43) |