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  <Code label="Code" urlencoded="DS%2fUK%2f11270" urlpathencoded="DS/UK/11270">DS/UK/11270</Code>
  <PersonName label="Name" urlencoded="Harverson%3b+Alan+(1922-2006)%3b+English+organist%2c+pianist+and+teacher" urlpathencoded="Harverson;%20Alan%20(1922-2006);%20English%20organist,%20pianist%20and%20teacher">Harverson; Alan (1922-2006); English organist, pianist and teacher</PersonName>
  <Surname label="Surname" urlencoded="Harverson" urlpathencoded="Harverson">Harverson</Surname>
  <Forenames label="Forenames" urlencoded="Alan" urlpathencoded="Alan">Alan</Forenames>
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  <Dates label="Dates" urlencoded="1922-2006" urlpathencoded="1922-2006">1922-2006</Dates>
  <Epithet label="Epithet" urlencoded="English+organist%2c+pianist+and+teacher" urlpathencoded="English%20organist,%20pianist%20and%20teacher">English organist, pianist and teacher</Epithet>
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  <OtherInfo label="Biography" urlencoded="Alan+Harverson+(Alan+Hooper)+(16+August+1922+-+31+January+2006)+was+an+English+organist%2c+pianist+and+teacher%2c+born+and+raised+in+southern+Ireland.%0aHe+won+a+scholarship+to+the+Royal+Academy+of+Music+in+1939%2c+taking+six+prizes+for+piano+and+organ+playing+and+the+coveted+Certificate+of+Merit%2c+eventually+being+elected+to+a+professorship+in+1973%2c+having+taught+there+since+1942.+He+was+organist+at+number+of+London+churches+in+succession%2c+including+St+Mary%27s+Bryanston+Square+and+the+London+Oratory.+He+was+appointed+to+the+influential+churches+of+St+Gabriels%2c+Cricklewood+and+the+Servite+Priory%2c+Fulham%2c+where+he+presided+over+a+new+instrument+by+Grant%2c+Degens+%26+Bradbeer.+It+is+typical+of+him+that%2c+having+been+appointed%2c+he+refused+to+take+up+the+position+in+Fulham+until+the+new+organ+had+been+completed.+Latterly%2c+he+was+one+of+the+organists+at+Holy+Trinity+Sloane+Street%2c+where+his+colourfully+expansive+playing+could+be+heard+in+central+London+each+week+in+the+years+after+1987.%0aHe+found+a+permanent+niche+as+organist+to+the+BBC+Symphony+Orchestra+and+consequently+played+the+organ+for+twenty-nine+Last+Nights+of+the+Proms.+Alan+Harverson+worked+with+many+of+the+leading+orchestras+and+conductors+of+his+time+and+was+a+valued+chamber+musician.%0aHis+organ+recital+work+took+him+all+over+Europe+and+he+honed+his+interpretation+of+the+leading+Baroque+composers+in+Holland+in+a+series+of+visits+as+a+young+man+to+conduct+his+own+original+research+into+the+styles+of+organ+building+represented+by+surviving+instruments+dating+from+the+seventeenth+and+eighteenth+centuries+and+so+he+can+be+seen+as+one+of+the+pioneers+of+the+revival+of+Baroque+performance+practice+in+modern+English+organ+playing." urlpathencoded="Alan%20Harverson%20(Alan%20Hooper)%20(16%20August%201922%20-%2031%20January%202006)%20was%20an%20English%20organist,%20pianist%20and%20teacher,%20born%20and%20raised%20in%20southern%20Ireland.%0aHe%20won%20a%20scholarship%20to%20the%20Royal%20Academy%20of%20Music%20in%201939,%20taking%20six%20prizes%20for%20piano%20and%20organ%20playing%20and%20the%20coveted%20Certificate%20of%20Merit,%20eventually%20being%20elected%20to%20a%20professorship%20in%201973,%20having%20taught%20there%20since%201942.%20He%20was%20organist%20at%20number%20of%20London%20churches%20in%20succession,%20including%20St%20Mary's%20Bryanston%20Square%20and%20the%20London%20Oratory.%20He%20was%20appointed%20to%20the%20influential%20churches%20of%20St%20Gabriels,%20Cricklewood%20and%20the%20Servite%20Priory,%20Fulham,%20where%20he%20presided%20over%20a%20new%20instrument%20by%20Grant,%20Degens%20&amp;%20Bradbeer.%20It%20is%20typical%20of%20him%20that,%20having%20been%20appointed,%20he%20refused%20to%20take%20up%20the%20position%20in%20Fulham%20until%20the%20new%20organ%20had%20been%20completed.%20Latterly,%20he%20was%20one%20of%20the%20organists%20at%20Holy%20Trinity%20Sloane%20Street,%20where%20his%20colourfully%20expansive%20playing%20could%20be%20heard%20in%20central%20London%20each%20week%20in%20the%20years%20after%201987.%0aHe%20found%20a%20permanent%20niche%20as%20organist%20to%20the%20BBC%20Symphony%20Orchestra%20and%20consequently%20played%20the%20organ%20for%20twenty-nine%20Last%20Nights%20of%20the%20Proms.%20Alan%20Harverson%20worked%20with%20many%20of%20the%20leading%20orchestras%20and%20conductors%20of%20his%20time%20and%20was%20a%20valued%20chamber%20musician.%0aHis%20organ%20recital%20work%20took%20him%20all%20over%20Europe%20and%20he%20honed%20his%20interpretation%20of%20the%20leading%20Baroque%20composers%20in%20Holland%20in%20a%20series%20of%20visits%20as%20a%20young%20man%20to%20conduct%20his%20own%20original%20research%20into%20the%20styles%20of%20organ%20building%20represented%20by%20surviving%20instruments%20dating%20from%20the%20seventeenth%20and%20eighteenth%20centuries%20and%20so%20he%20can%20be%20seen%20as%20one%20of%20the%20pioneers%20of%20the%20revival%20of%20Baroque%20performance%20practice%20in%20modern%20English%20organ%20playing.">Alan Harverson (Alan Hooper) (16 August 1922 - 31 January 2006) was an English organist, pianist and teacher, born and raised in southern Ireland.
He won a scholarship to the Royal Academy of Music in 1939, taking six prizes for piano and organ playing and the coveted Certificate of Merit, eventually being elected to a professorship in 1973, having taught there since 1942. He was organist at number of London churches in succession, including St Mary's Bryanston Square and the London Oratory. He was appointed to the influential churches of St Gabriels, Cricklewood and the Servite Priory, Fulham, where he presided over a new instrument by Grant, Degens &amp; Bradbeer. It is typical of him that, having been appointed, he refused to take up the position in Fulham until the new organ had been completed. Latterly, he was one of the organists at Holy Trinity Sloane Street, where his colourfully expansive playing could be heard in central London each week in the years after 1987.
He found a permanent niche as organist to the BBC Symphony Orchestra and consequently played the organ for twenty-nine Last Nights of the Proms. Alan Harverson worked with many of the leading orchestras and conductors of his time and was a valued chamber musician.
His organ recital work took him all over Europe and he honed his interpretation of the leading Baroque composers in Holland in a series of visits as a young man to conduct his own original research into the styles of organ building represented by surviving instruments dating from the seventeenth and eighteenth centuries and so he can be seen as one of the pioneers of the revival of Baroque performance practice in modern English organ playing.</OtherInfo>
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
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  <Created label="Created" urlencoded="1%2f20%2f2014" urlpathencoded="1/20/2014">1/20/2014</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
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