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  <PersonName label="Name" urlencoded="Cunningham%3b+George+Dorrington+(1878-1948)%3b+English+organist" urlpathencoded="Cunningham;%20George%20Dorrington%20(1878-1948);%20English%20organist">Cunningham; George Dorrington (1878-1948); English organist</PersonName>
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  <OtherInfo label="Biography" urlencoded="George+Dorrington+Cunningham+(London+October+2%2c+1878+-+Birmingham+August+4%2c+1948)+was+an+important+concert+organist.+Born+of+musical+parents%2c+Cunningham+studied+piano+with+his+mother%2c+subsequently+switching+to+organ+at+the+Guildhall+School+of+Music.+Upon+graduation+he+studied+with+Josiah+Booth+at+Park+Chapel%2c+Crouch+End%2c+North+London.+From+there+he+enrolled+in+the+Royal+Academy+of+Music%2c+where+he+became+an+FRCO+at+age+eighteen+and+organist+of+the+Alexandra+Palace+at+twenty-two%2c+in+1901.%0a%0aAfter+1900+Cunningham%27s+fame+as+a+recitalist+steadily+grew.+However+during+the+armistice+celebrations+of+1918+the+instrument+at+Alexandra+Palace+was+wantonly+wrecked%2c+and+was+not+restored+and+re-opened+again+until+December+1929.+In+1924+Cunningham+was+appointed+Birmingham+City+Organist+and+Birmingham+University+Organist.+He+was+conductor+of+the+City+of+Birmingham+Choir+for+many+years.+He+also+played+often+at+the+Town+Hall+of+the+same+city.+In+September+1930+he+made+recordings+on+the+restored+Alexandra+Palace+organ.%0a%0aCunningham%27s+most+important+students+were+E.+Power+Biggs%2c+George+Thalben-Ball%2c+who+succeeded+him+at+Birmingham+in+1949%2c+and+Michael+(Stockwin)+Howard." urlpathencoded="George%20Dorrington%20Cunningham%20(London%20October%202,%201878%20-%20Birmingham%20August%204,%201948)%20was%20an%20important%20concert%20organist.%20Born%20of%20musical%20parents,%20Cunningham%20studied%20piano%20with%20his%20mother,%20subsequently%20switching%20to%20organ%20at%20the%20Guildhall%20School%20of%20Music.%20Upon%20graduation%20he%20studied%20with%20Josiah%20Booth%20at%20Park%20Chapel,%20Crouch%20End,%20North%20London.%20From%20there%20he%20enrolled%20in%20the%20Royal%20Academy%20of%20Music,%20where%20he%20became%20an%20FRCO%20at%20age%20eighteen%20and%20organist%20of%20the%20Alexandra%20Palace%20at%20twenty-two,%20in%201901.%0a%0aAfter%201900%20Cunningham's%20fame%20as%20a%20recitalist%20steadily%20grew.%20However%20during%20the%20armistice%20celebrations%20of%201918%20the%20instrument%20at%20Alexandra%20Palace%20was%20wantonly%20wrecked,%20and%20was%20not%20restored%20and%20re-opened%20again%20until%20December%201929.%20In%201924%20Cunningham%20was%20appointed%20Birmingham%20City%20Organist%20and%20Birmingham%20University%20Organist.%20He%20was%20conductor%20of%20the%20City%20of%20Birmingham%20Choir%20for%20many%20years.%20He%20also%20played%20often%20at%20the%20Town%20Hall%20of%20the%20same%20city.%20In%20September%201930%20he%20made%20recordings%20on%20the%20restored%20Alexandra%20Palace%20organ.%0a%0aCunningham's%20most%20important%20students%20were%20E.%20Power%20Biggs,%20George%20Thalben-Ball,%20who%20succeeded%20him%20at%20Birmingham%20in%201949,%20and%20Michael%20(Stockwin)%20Howard.">George Dorrington Cunningham (London October 2, 1878 - Birmingham August 4, 1948) was an important concert organist. Born of musical parents, Cunningham studied piano with his mother, subsequently switching to organ at the Guildhall School of Music. Upon graduation he studied with Josiah Booth at Park Chapel, Crouch End, North London. From there he enrolled in the Royal Academy of Music, where he became an FRCO at age eighteen and organist of the Alexandra Palace at twenty-two, in 1901.

After 1900 Cunningham's fame as a recitalist steadily grew. However during the armistice celebrations of 1918 the instrument at Alexandra Palace was wantonly wrecked, and was not restored and re-opened again until December 1929. In 1924 Cunningham was appointed Birmingham City Organist and Birmingham University Organist. He was conductor of the City of Birmingham Choir for many years. He also played often at the Town Hall of the same city. In September 1930 he made recordings on the restored Alexandra Palace organ.

Cunningham's most important students were E. Power Biggs, George Thalben-Ball, who succeeded him at Birmingham in 1949, and Michael (Stockwin) Howard.

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National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
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