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  <Summary>
  <RecordType label="RecordType" urlencoded="Person" urlpathencoded="Person">Person</RecordType>
  <Status label="Status" urlencoded="Open" urlpathencoded="Open">Open</Status>
  <AUTHORITYCONTROL label="AUTHORITYCONTROL" urlencoded="" urlpathencoded=""></AUTHORITYCONTROL>
  <Code label="Code" urlencoded="DS%2fUK%2f14092" urlpathencoded="DS/UK/14092">DS/UK/14092</Code>
  <PersonName label="Name" urlencoded="Moore%3b+Diana+(fl+1980s)%3b+English+mezzo+soprano" urlpathencoded="Moore;%20Diana%20(fl%201980s);%20English%20mezzo%20soprano">Moore; Diana (fl 1980s); English mezzo soprano</PersonName>
  <Surname label="Surname" urlencoded="Moore" urlpathencoded="Moore">Moore</Surname>
  <Forenames label="Forenames" urlencoded="Diana" urlpathencoded="Diana">Diana</Forenames>
  <PreTitle label="PreTitle" urlencoded="" urlpathencoded=""></PreTitle>
  <Title label="Title" urlencoded="" urlpathencoded=""></Title>
  <Dates label="Dates" urlencoded="fl+1980s" urlpathencoded="fl%201980s">fl 1980s</Dates>
  <Epithet label="Epithet" urlencoded="English+mezzo+soprano" urlpathencoded="English%20mezzo%20soprano">English mezzo soprano</Epithet>
  <Gender label="Gender" urlencoded="Female" urlpathencoded="Female">Female</Gender>
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  <Nationality label="Nationality" urlencoded="" urlpathencoded=""></Nationality>
  <Activity label="Activity" urlencoded="" urlpathencoded=""></Activity>
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  <PublishedWorks label="Trivia" urlencoded="" urlpathencoded=""></PublishedWorks>
  <OtherInfo label="Biography" urlencoded="Born+in+Lowestoft%2c+Diana+Moore+pursued+her+musical+studies+at+the+University+of+Birmingham+and+the+Royal+Academy+of+Music+and+is+now+widely+acclaimed+for+her+%c2%93emotional+depth%c2%94+(The+Guardian)%2c+%c2%93thrilling%c2%94+technical+bravura+(Gramophone)+and+%c2%93rich%2c+evocative+sound%c2%94+(San+Francisco+Chronicle).+Recent+opera+appearances+include+the+title+role+in+Rinaldo+at+the+G%c3%b6ttingen+International+Handel+Festival%2c+Flanders+Opera%2c+Opera+de+Versailles+and+National+Theatre+Prague%2c+Sesto+Giulio+Cesare+at+G%c3%b6ttingen+with+Nicholas+McGegan%2c+Medoro+Orlando+in+Stockholm%2c+San+Francisco%2c+New+York%2c+Tanglewood+and+Ravinia%2c+as+well+Penelope+Il+Ritorno+d%c2%92Ulisse+for+the+Aldeburgh+Festival+and+Dido+Dido+and+Aeneas+for+The+Early+Opera+Company.+%0aOn+the+concert+stage%2c+Diana+Moore+as+appeared+at+the+Concertgebouw+Amsterdam%2c+the+Tonhalle+Zurich%2c+the+Barbican+Centre%2c+the+Kultur+Kongresscentrum+Luzern%2c+Lincoln+Centre+New+York+and+at+the+Royal+Albert+Hall+in+the+BBC+Proms%2c+working+with+such+leading+orchestras+as+the+Orchestra+of+the+age+of+Enlightenment%2c+Camerata+Salzburg%2c+City+of+Birmingham+Symphony%2c+Philharmonia+Baroque%2c+Northern+Sinfonia+and+BBC+Philharmonic.+Her+recent+recording+of+Parnasso+in+Festa+with+Matthew+Halls+and+The+King%c2%92s+Consort+was+awarded+the+Stanley+Sadie+International+Handel+Recording+Prize." urlpathencoded="Born%20in%20Lowestoft,%20Diana%20Moore%20pursued%20her%20musical%20studies%20at%20the%20University%20of%20Birmingham%20and%20the%20Royal%20Academy%20of%20Music%20and%20is%20now%20widely%20acclaimed%20for%20her%20%c2%93emotional%20depth%c2%94%20(The%20Guardian),%20%c2%93thrilling%c2%94%20technical%20bravura%20(Gramophone)%20and%20%c2%93rich,%20evocative%20sound%c2%94%20(San%20Francisco%20Chronicle).%20Recent%20opera%20appearances%20include%20the%20title%20role%20in%20Rinaldo%20at%20the%20G%c3%b6ttingen%20International%20Handel%20Festival,%20Flanders%20Opera,%20Opera%20de%20Versailles%20and%20National%20Theatre%20Prague,%20Sesto%20Giulio%20Cesare%20at%20G%c3%b6ttingen%20with%20Nicholas%20McGegan,%20Medoro%20Orlando%20in%20Stockholm,%20San%20Francisco,%20New%20York,%20Tanglewood%20and%20Ravinia,%20as%20well%20Penelope%20Il%20Ritorno%20d%c2%92Ulisse%20for%20the%20Aldeburgh%20Festival%20and%20Dido%20Dido%20and%20Aeneas%20for%20The%20Early%20Opera%20Company.%20%0aOn%20the%20concert%20stage,%20Diana%20Moore%20as%20appeared%20at%20the%20Concertgebouw%20Amsterdam,%20the%20Tonhalle%20Zurich,%20the%20Barbican%20Centre,%20the%20Kultur%20Kongresscentrum%20Luzern,%20Lincoln%20Centre%20New%20York%20and%20at%20the%20Royal%20Albert%20Hall%20in%20the%20BBC%20Proms,%20working%20with%20such%20leading%20orchestras%20as%20the%20Orchestra%20of%20the%20age%20of%20Enlightenment,%20Camerata%20Salzburg,%20City%20of%20Birmingham%20Symphony,%20Philharmonia%20Baroque,%20Northern%20Sinfonia%20and%20BBC%20Philharmonic.%20Her%20recent%20recording%20of%20Parnasso%20in%20Festa%20with%20Matthew%20Halls%20and%20The%20King%c2%92s%20Consort%20was%20awarded%20the%20Stanley%20Sadie%20International%20Handel%20Recording%20Prize.">Born in Lowestoft, Diana Moore pursued her musical studies at the University of Birmingham and the Royal Academy of Music and is now widely acclaimed for her emotional depth (The Guardian), thrilling technical bravura (Gramophone) and rich, evocative sound (San Francisco Chronicle). Recent opera appearances include the title role in Rinaldo at the Göttingen International Handel Festival, Flanders Opera, Opera de Versailles and National Theatre Prague, Sesto Giulio Cesare at Göttingen with Nicholas McGegan, Medoro Orlando in Stockholm, San Francisco, New York, Tanglewood and Ravinia, as well Penelope Il Ritorno dUlisse for the Aldeburgh Festival and Dido Dido and Aeneas for The Early Opera Company. 
On the concert stage, Diana Moore as appeared at the Concertgebouw Amsterdam, the Tonhalle Zurich, the Barbican Centre, the Kultur Kongresscentrum Luzern, Lincoln Centre New York and at the Royal Albert Hall in the BBC Proms, working with such leading orchestras as the Orchestra of the age of Enlightenment, Camerata Salzburg, City of Birmingham Symphony, Philharmonia Baroque, Northern Sinfonia and BBC Philharmonic. Her recent recording of Parnasso in Festa with Matthew Halls and The Kings Consort was awarded the Stanley Sadie International Handel Recording Prize. 
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  <Source label="Source" urlencoded="" urlpathencoded=""></Source>
  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
  <Set label="Set" urlencoded="" urlpathencoded=""></Set>
  <ADMIN_DETAILS label="ADMIN_DETAILS" urlencoded="" urlpathencoded=""></ADMIN_DETAILS>
  <Creator label="Creator" urlencoded="RAHSkeyte" urlpathencoded="RAHSkeyte">RAHSkeyte</Creator>
  <Created label="Created" urlencoded="3%2f20%2f2014" urlpathencoded="3/20/2014">3/20/2014</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
  <RecordID label="RecordID" urlencoded="c301ad44-bad0-4d2f-ae21-af0720294698" urlpathencoded="c301ad44-bad0-4d2f-ae21-af0720294698">c301ad44-bad0-4d2f-ae21-af0720294698</RecordID>
</Summary>
</SummaryList>