Corporate Open DS/UK/21392 UK; Royal Italian Opera; 1847-; British opera company Royal Italian Opera UK 1847- British opera company Royal Opera House DS/UK/6194 DS/UK/1008 DS/UK/1006 DS/UK/19790

Theatre; Opera Forerunner of the present Royal Opera House, Covent Garden, the Royal Italian Opera, was opened in April 1847 with a performance of Rossini's Semiramide. Actor-manager John Rich built the first Theatre Royal, Covent Garden with the fortune he had made from the huge success of The Beggar’s Opera. At that time, under the terms of a Royal Patent, Covent Garden was only one of two theatres permitted to perform drama in the capital. The other patent theatre was the nearby Theatre Royal Drury Lane, and a keen rivalry soon developed between them. The first important musical works to be heard at the theatre were by Handel, who, from 1735 until his death in 1759, had close links with Covent Garden both as composer and organist. Many of his operas and oratorios, including Alcina and Semele, were first performed there, and he left his theatre organ to John Rich. Extensive rebuilding work took place in 1787 and 1792, but in 1808 the theatre was completely destroyed by fire with the loss of twenty-three fireman as the building collapsed. Work on a new theatre began immediately to designs by Robert Smirke. HRH The Prince of Wales laid the foundation stone on the last day of 1808 and the theatre opened just over eight months later with a performance of Shakespeare’s Macbeth starring the renowned brother and sister team of John Philip Kemble and Sarah Siddons. In 1843, the Theatres Act ended the patent theatres’ monopoly of drama and the competition for audiences intensified. Three years later, Covent Garden scored a notable coup when the gifted composer and conductor Michael Costa joined the theatre from Her Majesty’s in the Haymarket, bringing most of his company of singers with him. Following the remodelling of the auditorium, the theatre reopened as the Royal Italian Opera in April 1847 with a performance of Rossini’s Semiramide. On 5 March 1856 disaster struck again: for the second time the theatre was completely destroyed by fire. Work on the third and present theatre eventually started in 1857 to designs by E M Barry and the new building opened in May 1858 with a performance of Meyerbeer’s Les Huguenots. Barry also designed the striking glass and iron Floral Hall, intended as a flower market but also hosting the occasional ball. In 1892, with the repertoire broadening, the theatre was renamed the Royal Opera House. International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3 National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997 Yes RAHEHarper 8/30/2016 Rachael.Fragola 3/1/2022 cfeb0b0f-48aa-451d-84de-499d5f2331a8