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  <Code label="Code" urlencoded="DS%2fUK%2f2144" urlpathencoded="DS/UK/2144">DS/UK/2144</Code>
  <PersonName label="Name" urlencoded="Ferrier%3b+Kathleen+Mary+(1912-1953)%3b+English+contralto" urlpathencoded="Ferrier;%20Kathleen%20Mary%20(1912-1953);%20English%20contralto">Ferrier; Kathleen Mary (1912-1953); English contralto</PersonName>
  <Surname label="Surname" urlencoded="Ferrier" urlpathencoded="Ferrier">Ferrier</Surname>
  <Forenames label="Forenames" urlencoded="Kathleen+Mary" urlpathencoded="Kathleen%20Mary">Kathleen Mary</Forenames>
  <PreTitle label="PreTitle" urlencoded="" urlpathencoded=""></PreTitle>
  <Title label="Title" urlencoded="" urlpathencoded=""></Title>
  <Dates label="Dates" urlencoded="1912-1953" urlpathencoded="1912-1953">1912-1953</Dates>
  <Epithet label="Epithet" urlencoded="English+contralto" urlpathencoded="English%20contralto">English contralto</Epithet>
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  <OtherInfo label="Biography" urlencoded="Kathleen+Mary+Ferrier%2c+CBE+(22+April+1912+%c2%96+8+October+1953)+was+an+English+contralto+who+achieved+an+international+reputation+as+a+stage%2c+concert+and+recording+artist%2c+with+a+repertoire+extending+from+folksong+and+popular+ballads+to+the+classical+works+of+Bach%2c+Brahms%2c+Mahler+and+Elgar.+Her+death+from+cancer%2c+at+the+height+of+her+fame%2c+was+a+shock+to+the+musical+world+and+particularly+to+the+general+public%2c+which+was+kept+in+ignorance+of+the+nature+of+her+illness+until+after+her+death.+She+was+especially+known+in+Britain+for+her+unaccompanied+recording+of+the+Northumbrian+folk+tune+%22Blow+the+Wind+Southerly%22%2c+which+was+played+regularly+on+BBC+Radio+for+many+years+after+her+death.%0a%0aThe+daughter+of+a+Lancashire+village+schoolmaster%2c+Ferrier+showed+early+talent+as+a+pianist%2c+and+won+numerous+amateur+piano+competitions+while+working+as+a+telephonist+with+the+General+Post+Office.+She+did+not+take+up+singing+seriously+until+1937%2c+when+after+winning+a+prestigious+singing+competition+at+the+Carlisle+Festival+she+began+to+receive+offers+of+professional+engagements+as+a+vocalist.+Thereafter+she+took+singing+lessons%2c+first+with+J.E.+Hutchinson+and+later+with+Roy+Henderson.+After+the+outbreak+of+the+Second+World+War+Ferrier+was+recruited+by+the+Council+for+the+Encouragement+of+%5bMusic+and%5d+the+Arts+(CEMA)%2c+and+in+the+following+years+sang+at+concerts+and+recitals+throughout+England.+In+1942+her+career+was+boosted+when+she+met+the+conductor+Malcolm+Sargent%2c+who+recommended+her+to+the+influential+Ibbs+and+Tillett+concert+management+agency.+She+became+a+regular+performer+at+leading+London+and+provincial+venues%2c+and+made+numerous+BBC+radio+broadcasts.%0a%0aIn+1946%2c+Ferrier+made+her+stage+debut%2c+in+the+Glyndebourne+Festival+premiere+of+Benjamin+Britten%27s+opera+The+Rape+of+Lucretia.+A+year+later+she+made+her+first+appearance+as+Orfeo+in+Gluck%27s+Orfeo+ed+Euridice%2c+a+work+with+which+she+became+particularly+associated.+By+her+own+choice%2c+these+were+her+only+two+operatic+roles.+As+her+reputation+grew%2c+Ferrier+formed+close+working+relationships+with+major+musical+figures%2c+including+Britten%2c+Sir+John+Barbirolli%2c+Bruno+Walter+and+the+accompanist+Gerald+Moore.+She+became+known+internationally+through+her+three+tours+to+the+United+States+between+1948+and+1950+and+her+many+visits+to+continental+Europe." urlpathencoded="Kathleen%20Mary%20Ferrier,%20CBE%20(22%20April%201912%20%c2%96%208%20October%201953)%20was%20an%20English%20contralto%20who%20achieved%20an%20international%20reputation%20as%20a%20stage,%20concert%20and%20recording%20artist,%20with%20a%20repertoire%20extending%20from%20folksong%20and%20popular%20ballads%20to%20the%20classical%20works%20of%20Bach,%20Brahms,%20Mahler%20and%20Elgar.%20Her%20death%20from%20cancer,%20at%20the%20height%20of%20her%20fame,%20was%20a%20shock%20to%20the%20musical%20world%20and%20particularly%20to%20the%20general%20public,%20which%20was%20kept%20in%20ignorance%20of%20the%20nature%20of%20her%20illness%20until%20after%20her%20death.%20She%20was%20especially%20known%20in%20Britain%20for%20her%20unaccompanied%20recording%20of%20the%20Northumbrian%20folk%20tune%20&quot;Blow%20the%20Wind%20Southerly&quot;,%20which%20was%20played%20regularly%20on%20BBC%20Radio%20for%20many%20years%20after%20her%20death.%0a%0aThe%20daughter%20of%20a%20Lancashire%20village%20schoolmaster,%20Ferrier%20showed%20early%20talent%20as%20a%20pianist,%20and%20won%20numerous%20amateur%20piano%20competitions%20while%20working%20as%20a%20telephonist%20with%20the%20General%20Post%20Office.%20She%20did%20not%20take%20up%20singing%20seriously%20until%201937,%20when%20after%20winning%20a%20prestigious%20singing%20competition%20at%20the%20Carlisle%20Festival%20she%20began%20to%20receive%20offers%20of%20professional%20engagements%20as%20a%20vocalist.%20Thereafter%20she%20took%20singing%20lessons,%20first%20with%20J.E.%20Hutchinson%20and%20later%20with%20Roy%20Henderson.%20After%20the%20outbreak%20of%20the%20Second%20World%20War%20Ferrier%20was%20recruited%20by%20the%20Council%20for%20the%20Encouragement%20of%20[Music%20and]%20the%20Arts%20(CEMA),%20and%20in%20the%20following%20years%20sang%20at%20concerts%20and%20recitals%20throughout%20England.%20In%201942%20her%20career%20was%20boosted%20when%20she%20met%20the%20conductor%20Malcolm%20Sargent,%20who%20recommended%20her%20to%20the%20influential%20Ibbs%20and%20Tillett%20concert%20management%20agency.%20She%20became%20a%20regular%20performer%20at%20leading%20London%20and%20provincial%20venues,%20and%20made%20numerous%20BBC%20radio%20broadcasts.%0a%0aIn%201946,%20Ferrier%20made%20her%20stage%20debut,%20in%20the%20Glyndebourne%20Festival%20premiere%20of%20Benjamin%20Britten's%20opera%20The%20Rape%20of%20Lucretia.%20A%20year%20later%20she%20made%20her%20first%20appearance%20as%20Orfeo%20in%20Gluck's%20Orfeo%20ed%20Euridice,%20a%20work%20with%20which%20she%20became%20particularly%20associated.%20By%20her%20own%20choice,%20these%20were%20her%20only%20two%20operatic%20roles.%20As%20her%20reputation%20grew,%20Ferrier%20formed%20close%20working%20relationships%20with%20major%20musical%20figures,%20including%20Britten,%20Sir%20John%20Barbirolli,%20Bruno%20Walter%20and%20the%20accompanist%20Gerald%20Moore.%20She%20became%20known%20internationally%20through%20her%20three%20tours%20to%20the%20United%20States%20between%201948%20and%201950%20and%20her%20many%20visits%20to%20continental%20Europe.">Kathleen Mary Ferrier, CBE (22 April 1912  8 October 1953) was an English contralto who achieved an international reputation as a stage, concert and recording artist, with a repertoire extending from folksong and popular ballads to the classical works of Bach, Brahms, Mahler and Elgar. Her death from cancer, at the height of her fame, was a shock to the musical world and particularly to the general public, which was kept in ignorance of the nature of her illness until after her death. She was especially known in Britain for her unaccompanied recording of the Northumbrian folk tune "Blow the Wind Southerly", which was played regularly on BBC Radio for many years after her death.

The daughter of a Lancashire village schoolmaster, Ferrier showed early talent as a pianist, and won numerous amateur piano competitions while working as a telephonist with the General Post Office. She did not take up singing seriously until 1937, when after winning a prestigious singing competition at the Carlisle Festival she began to receive offers of professional engagements as a vocalist. Thereafter she took singing lessons, first with J.E. Hutchinson and later with Roy Henderson. After the outbreak of the Second World War Ferrier was recruited by the Council for the Encouragement of [Music and] the Arts (CEMA), and in the following years sang at concerts and recitals throughout England. In 1942 her career was boosted when she met the conductor Malcolm Sargent, who recommended her to the influential Ibbs and Tillett concert management agency. She became a regular performer at leading London and provincial venues, and made numerous BBC radio broadcasts.

In 1946, Ferrier made her stage debut, in the Glyndebourne Festival premiere of Benjamin Britten's opera The Rape of Lucretia. A year later she made her first appearance as Orfeo in Gluck's Orfeo ed Euridice, a work with which she became particularly associated. By her own choice, these were her only two operatic roles. As her reputation grew, Ferrier formed close working relationships with major musical figures, including Britten, Sir John Barbirolli, Bruno Walter and the accompanist Gerald Moore. She became known internationally through her three tours to the United States between 1948 and 1950 and her many visits to continental Europe.</OtherInfo>
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
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  <Created label="Created" urlencoded="10%2f3%2f2012" urlpathencoded="10/3/2012">10/3/2012</Created>
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