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  <PersonName label="Name" urlencoded="Smiljanic%3b+Bo%c2%9eidar+(fl+2015)" urlpathencoded="Smiljanic;%20Bo%c2%9eidar%20(fl%202015)">Smiljanic; Boidar (fl 2015)</PersonName>
  <Surname label="Surname" urlencoded="Smiljanic" urlpathencoded="Smiljanic">Smiljanic</Surname>
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  <DatesAndPlaces label="Place of Birth/Origin" urlencoded="London%2c+England+(born)" urlpathencoded="London,%20England%20(born)">London, England (born)</DatesAndPlaces>
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  <Activity label="Activity" urlencoded="English+bass-baritone" urlpathencoded="English%20bass-baritone">English bass-baritone</Activity>
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  <OtherInfo label="Biography" urlencoded="Described+as+a+%c2%91honeyed+bass-baritone%c2%92+with+%c2%91a+lively+voice+with+strong+textures+and+tonal+definition%c2%92+and+%c2%91surely+a+Fine+Figaro+and+Leporello+in+waiting%c2%92%2c+young+British+Bass-Baritone+of+Serbian+descent%2c+Bo%c2%9eidar+Smiljanic%2c+is+steadily+being+recognised+as+a+singer+of+international+quality.+He+is+a+member+of+the+ensemble+at+Oper+Frankfurt+where+his+roles+in+the+2018%2f19+season+will+include+Garibaldo+in+Claus+Guth%c2%92s+new+staging+of+Rodelinda%2c+Elviro+(Xerxes)+under+Constantinos+Carydis%2c+Sprecher+(Die+Zauberfl%c3%b6te)%2c+Hunter%2fGamekeeper+(Rusalka)%2c+and+Zuniga+in+Barrie+Kosky%c2%92s+Carmen.%0a%0aBo%c2%9eidar+made+his+professional+debut+at+Glyndebourne+Festival+Opera+as+Captain+(Eugene+Onegin)+under+Omer+Meir+Wellber+and+returned+as+Masetto+(Don+Giovanni)+on+the+Glyndebourne+Tour+last+season.+In+his+first+freelance+season%2c+Bo%c2%9eidar+debuted+at+Garsington+Opera+as+Haly+(L%c2%92italiana+in+Algeri)+under+David+Parry%2c+and+at+Scottish+Opera+as+Schaunard+(La+Boh%c3%a8me).+Following+his+debut+at+English+National+Opera+last+season+as+a+Harewood+Artist+(The+Marquis+in+Daniel+Kramer%c2%92s+new+production+of+La+Traviata)%2c+Bo%c2%9eidar+continues+there+this+season+as+Schaunard.%0a%0aA+regular+on+the+concert+platform%2c+Bo%c2%9eidar+has+already+debuted+with+Bamberger+Symphoniker+under+Jakub+Hru%c2%9aa+(Masetto)%2c+the+Royal+Liverpool+Philharmonic+Orchestra+under+John+Nelson+(Brander+in+Berlioz%c2%92s+La+damnation+de+Faust)%2c+and+the+City+of+Birmingham+Symphony+Orchestra+under+John+Wilson+(Sullivan%c2%92s+Yeoman+of+the+Guard).+Bo%c2%9eidar+reunites+with+Wilson+and+the+CBSO+again+this+season+for+Belshazzar%c2%92s+Feast%2c+and+joins+Herv%c3%a9+Niquet+and+Le+Concert+Spirituel+for+Handel%c2%92s+Messiah.%0a%0aBo%c2%9eidar+studied+at+the+Royal+Academy+of+Music+in+London+where+he+received+the+Principal%c2%92s+Prize+for+exceptional+all-round+studentship.+With+the+support+of+a+full+scholarship%2c+he+trained+at+the+Academy+for+four+years+under+Professor+Mark+Wildman+and+Iain+Ledingham.+Bo%c2%9eidar%c2%92s+highly-lauded+student+performances+included+the+title+role+in+Mozart%c2%92s+Le+nozze+di+Figaro%2c+Nick+Shadow+in+Stravinsky%c2%92s+The+Rake%c2%92s+Progress%2c+The+Mayor+in+Rimsky-Korsakov%c2%92s+May+Night%2c+many+Cantatas+by+JS+Bach+including+BWV+82%3a+Ich+habe+genug%2c+BWV+56%3a+Ich+will+den+Kreuzstab+gerne+tragen+and+BWV+158%3a+Der+Friede+sei+mit+dir+and+wide+selection+of+song+and+oratorio+repertoire.%0a%0aBo%c2%9eidar+was+born+and+raised+in+London+and+gained+a+degree+in+Law+at+the+University+of+Nottingham+before+embarking+on+a+performance+career." urlpathencoded="Described%20as%20a%20%c2%91honeyed%20bass-baritone%c2%92%20with%20%c2%91a%20lively%20voice%20with%20strong%20textures%20and%20tonal%20definition%c2%92%20and%20%c2%91surely%20a%20Fine%20Figaro%20and%20Leporello%20in%20waiting%c2%92,%20young%20British%20Bass-Baritone%20of%20Serbian%20descent,%20Bo%c2%9eidar%20Smiljanic,%20is%20steadily%20being%20recognised%20as%20a%20singer%20of%20international%20quality.%20He%20is%20a%20member%20of%20the%20ensemble%20at%20Oper%20Frankfurt%20where%20his%20roles%20in%20the%202018/19%20season%20will%20include%20Garibaldo%20in%20Claus%20Guth%c2%92s%20new%20staging%20of%20Rodelinda,%20Elviro%20(Xerxes)%20under%20Constantinos%20Carydis,%20Sprecher%20(Die%20Zauberfl%c3%b6te),%20Hunter/Gamekeeper%20(Rusalka),%20and%20Zuniga%20in%20Barrie%20Kosky%c2%92s%20Carmen.%0a%0aBo%c2%9eidar%20made%20his%20professional%20debut%20at%20Glyndebourne%20Festival%20Opera%20as%20Captain%20(Eugene%20Onegin)%20under%20Omer%20Meir%20Wellber%20and%20returned%20as%20Masetto%20(Don%20Giovanni)%20on%20the%20Glyndebourne%20Tour%20last%20season.%20In%20his%20first%20freelance%20season,%20Bo%c2%9eidar%20debuted%20at%20Garsington%20Opera%20as%20Haly%20(L%c2%92italiana%20in%20Algeri)%20under%20David%20Parry,%20and%20at%20Scottish%20Opera%20as%20Schaunard%20(La%20Boh%c3%a8me).%20Following%20his%20debut%20at%20English%20National%20Opera%20last%20season%20as%20a%20Harewood%20Artist%20(The%20Marquis%20in%20Daniel%20Kramer%c2%92s%20new%20production%20of%20La%20Traviata),%20Bo%c2%9eidar%20continues%20there%20this%20season%20as%20Schaunard.%0a%0aA%20regular%20on%20the%20concert%20platform,%20Bo%c2%9eidar%20has%20already%20debuted%20with%20Bamberger%20Symphoniker%20under%20Jakub%20Hru%c2%9aa%20(Masetto),%20the%20Royal%20Liverpool%20Philharmonic%20Orchestra%20under%20John%20Nelson%20(Brander%20in%20Berlioz%c2%92s%20La%20damnation%20de%20Faust),%20and%20the%20City%20of%20Birmingham%20Symphony%20Orchestra%20under%20John%20Wilson%20(Sullivan%c2%92s%20Yeoman%20of%20the%20Guard).%20Bo%c2%9eidar%20reunites%20with%20Wilson%20and%20the%20CBSO%20again%20this%20season%20for%20Belshazzar%c2%92s%20Feast,%20and%20joins%20Herv%c3%a9%20Niquet%20and%20Le%20Concert%20Spirituel%20for%20Handel%c2%92s%20Messiah.%0a%0aBo%c2%9eidar%20studied%20at%20the%20Royal%20Academy%20of%20Music%20in%20London%20where%20he%20received%20the%20Principal%c2%92s%20Prize%20for%20exceptional%20all-round%20studentship.%20With%20the%20support%20of%20a%20full%20scholarship,%20he%20trained%20at%20the%20Academy%20for%20four%20years%20under%20Professor%20Mark%20Wildman%20and%20Iain%20Ledingham.%20Bo%c2%9eidar%c2%92s%20highly-lauded%20student%20performances%20included%20the%20title%20role%20in%20Mozart%c2%92s%20Le%20nozze%20di%20Figaro,%20Nick%20Shadow%20in%20Stravinsky%c2%92s%20The%20Rake%c2%92s%20Progress,%20The%20Mayor%20in%20Rimsky-Korsakov%c2%92s%20May%20Night,%20many%20Cantatas%20by%20JS%20Bach%20including%20BWV%2082:%20Ich%20habe%20genug,%20BWV%2056:%20Ich%20will%20den%20Kreuzstab%20gerne%20tragen%20and%20BWV%20158:%20Der%20Friede%20sei%20mit%20dir%20and%20wide%20selection%20of%20song%20and%20oratorio%20repertoire.%0a%0aBo%c2%9eidar%20was%20born%20and%20raised%20in%20London%20and%20gained%20a%20degree%20in%20Law%20at%20the%20University%20of%20Nottingham%20before%20embarking%20on%20a%20performance%20career.">Described as a honeyed bass-baritone with a lively voice with strong textures and tonal definition and surely a Fine Figaro and Leporello in waiting, young British Bass-Baritone of Serbian descent, Boidar Smiljanic, is steadily being recognised as a singer of international quality. He is a member of the ensemble at Oper Frankfurt where his roles in the 2018/19 season will include Garibaldo in Claus Guths new staging of Rodelinda, Elviro (Xerxes) under Constantinos Carydis, Sprecher (Die Zauberflöte), Hunter/Gamekeeper (Rusalka), and Zuniga in Barrie Koskys Carmen.

Boidar made his professional debut at Glyndebourne Festival Opera as Captain (Eugene Onegin) under Omer Meir Wellber and returned as Masetto (Don Giovanni) on the Glyndebourne Tour last season. In his first freelance season, Boidar debuted at Garsington Opera as Haly (Litaliana in Algeri) under David Parry, and at Scottish Opera as Schaunard (La Bohème). Following his debut at English National Opera last season as a Harewood Artist (The Marquis in Daniel Kramers new production of La Traviata), Boidar continues there this season as Schaunard.

A regular on the concert platform, Boidar has already debuted with Bamberger Symphoniker under Jakub Hrua (Masetto), the Royal Liverpool Philharmonic Orchestra under John Nelson (Brander in Berliozs La damnation de Faust), and the City of Birmingham Symphony Orchestra under John Wilson (Sullivans Yeoman of the Guard). Boidar reunites with Wilson and the CBSO again this season for Belshazzars Feast, and joins Hervé Niquet and Le Concert Spirituel for Handels Messiah.

Boidar studied at the Royal Academy of Music in London where he received the Principals Prize for exceptional all-round studentship. With the support of a full scholarship, he trained at the Academy for four years under Professor Mark Wildman and Iain Ledingham. Boidars highly-lauded student performances included the title role in Mozarts Le nozze di Figaro, Nick Shadow in Stravinskys The Rakes Progress, The Mayor in Rimsky-Korsakovs May Night, many Cantatas by JS Bach including BWV 82: Ich habe genug, BWV 56: Ich will den Kreuzstab gerne tragen and BWV 158: Der Friede sei mit dir and wide selection of song and oratorio repertoire.

Boidar was born and raised in London and gained a degree in Law at the University of Nottingham before embarking on a performance career.

</OtherInfo>
  <Source label="Source" urlencoded="https%3a%2f%2fwww.bozidarsmiljanic.com%2fabout%2f+(March+2019)" urlpathencoded="https://www.bozidarsmiljanic.com/about/%20(March%202019)">https://www.bozidarsmiljanic.com/about/ (March 2019)</Source>
  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3
National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
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  <Created label="Created" urlencoded="3%2f27%2f2019" urlpathencoded="3/27/2019">3/27/2019</Created>
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