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<SummaryList>
  <Summary>
  <RecordType label="RecordType" urlencoded="Person" urlpathencoded="Person">Person</RecordType>
  <Status label="Status" urlencoded="Open" urlpathencoded="Open">Open</Status>
  <AUTHORITYCONTROL label="AUTHORITYCONTROL" urlencoded="" urlpathencoded=""></AUTHORITYCONTROL>
  <Code label="Code" urlencoded="DS%2fUK%2f22459" urlpathencoded="DS/UK/22459">DS/UK/22459</Code>
  <PersonName label="Name" urlencoded="Hall%3b+Tony+(1+April+1928-+26+June+2019)%3b+British+music+executive%2c+writer%2c+record+producer%2c+DJ" urlpathencoded="Hall;%20Tony%20(1%20April%201928-%2026%20June%202019);%20British%20music%20executive,%20writer,%20record%20producer,%20DJ">Hall; Tony (1 April 1928- 26 June 2019); British music executive, writer, record producer, DJ</PersonName>
  <Surname label="Surname" urlencoded="Hall" urlpathencoded="Hall">Hall</Surname>
  <Forenames label="Forenames" urlencoded="Tony" urlpathencoded="Tony">Tony</Forenames>
  <PreTitle label="PreTitle" urlencoded="" urlpathencoded=""></PreTitle>
  <Title label="Title" urlencoded="" urlpathencoded=""></Title>
  <Dates label="Dates" urlencoded="1+April+1928-+26+June+2019" urlpathencoded="1%20April%201928-%2026%20June%202019">1 April 1928- 26 June 2019</Dates>
  <Epithet label="Epithet" urlencoded="British+music+executive%2c+writer%2c+record+producer%2c+DJ" urlpathencoded="British%20music%20executive,%20writer,%20record%20producer,%20DJ">British music executive, writer, record producer, DJ</Epithet>
  <Gender label="Gender" urlencoded="Male" urlpathencoded="Male">Male</Gender>
  <ParallelEntry label="Variations of Name" urlencoded="Anthony+Salvin+Hall" urlpathencoded="Anthony%20Salvin%20Hall">Anthony Salvin Hall</ParallelEntry>
  <NonPreferredTerm label="Alias" urlencoded="" urlpathencoded=""></NonPreferredTerm>
  <INFORMATIONAREA label="INFORMATIONAREA" urlencoded="" urlpathencoded=""></INFORMATIONAREA>
  <DatesAndPlaces label="Place of Birth/Origin" urlencoded="Avening%2c+Gloucestershire%2c+England+(born)" urlpathencoded="Avening,%20Gloucestershire,%20England%20(born)">Avening, Gloucestershire, England (born)</DatesAndPlaces>
  <Address label="Address" urlencoded="" urlpathencoded=""></Address>
  <Nationality label="Nationality" urlencoded="" urlpathencoded=""></Nationality>
  <Activity label="Activity" urlencoded="" urlpathencoded=""></Activity>
  <Relationships label="Relationships" urlencoded="" urlpathencoded=""></Relationships>
  <PublishedWorks label="Trivia" urlencoded="" urlpathencoded=""></PublishedWorks>
  <OtherInfo label="Biography" urlencoded="Tony+Hall+was+born+in+Avening%2c+Gloucestershire%2c+and+was+educated+at+Lancing+College.+After+National+Service%2c+he+started+working+at+the+Feldman+Swing+Club+(later+The+100+Club)+in+Oxford+Street%2c+London%2c+where+he+became+a+regular+host+and+met+many+of+the+leading+jazz+acts+of+the+day.+In+1952+he+started+working+for+Jeffrey+Kruger+at+the+Flamingo+Club%2c+and+in+1954+started+working+as+an+A%26R+man+for+Decca+Records.%0a%0aHe+soon+took+responsibility+for+reviving+the+subsidiary+Tempo+label%2c+and+produced+sessions+by+jazz+acts+such+as+Ronnie+Scott%2c+Tubby+Hayes%2c+Dizzy+Reece+and+Victor+Feldman+for+the+label.+The+Tempo+label+was+discontinued+in+1961.+As+part+of+his+work+for+Decca%2c+Hall+also+presented+regular+sponsored+pop+music+programmes+on+Radio+Luxembourg+during+the+late+1950s+and+1960s%2c+and+in+the+1960s+contributed+a+regular+column+to+the+pop+music+weekly+Record+Mirror%2c+which+Decca+owned.+He+also+managed+the+promotion+and+distribution+of+Atlantic+Records+product+in+the+UK%2c+and+promoted+Ike+and+Tina+Turner%27s+%22River+Deep+%c2%96+Mountain+High%22%2c+a+record+which+had+failed+in+the+US+but+became+a+major+hit+in+the+UK.%0a%0aHall+left+Decca+in+1967%2c+and+formed+the+UK%27s+first+independent+promotion+company%2c+Tony+Hall+Enterprises%2c+which+was+responsible+for+promoting+acts+including+Jimi+Hendrix%2c+Joe+Cocker%2c+and+Black+Sabbath.+He+then+moved+into+management%2c+guiding+the+careers+of+The+Real+Thing%2c+Loose+Ends%2c+and+Lynden+David+Hall+in+the+1980s+and+1990s.+He+wrote+for+Jazzwise+magazine+till+2018." urlpathencoded="Tony%20Hall%20was%20born%20in%20Avening,%20Gloucestershire,%20and%20was%20educated%20at%20Lancing%20College.%20After%20National%20Service,%20he%20started%20working%20at%20the%20Feldman%20Swing%20Club%20(later%20The%20100%20Club)%20in%20Oxford%20Street,%20London,%20where%20he%20became%20a%20regular%20host%20and%20met%20many%20of%20the%20leading%20jazz%20acts%20of%20the%20day.%20In%201952%20he%20started%20working%20for%20Jeffrey%20Kruger%20at%20the%20Flamingo%20Club,%20and%20in%201954%20started%20working%20as%20an%20A&amp;R%20man%20for%20Decca%20Records.%0a%0aHe%20soon%20took%20responsibility%20for%20reviving%20the%20subsidiary%20Tempo%20label,%20and%20produced%20sessions%20by%20jazz%20acts%20such%20as%20Ronnie%20Scott,%20Tubby%20Hayes,%20Dizzy%20Reece%20and%20Victor%20Feldman%20for%20the%20label.%20The%20Tempo%20label%20was%20discontinued%20in%201961.%20As%20part%20of%20his%20work%20for%20Decca,%20Hall%20also%20presented%20regular%20sponsored%20pop%20music%20programmes%20on%20Radio%20Luxembourg%20during%20the%20late%201950s%20and%201960s,%20and%20in%20the%201960s%20contributed%20a%20regular%20column%20to%20the%20pop%20music%20weekly%20Record%20Mirror,%20which%20Decca%20owned.%20He%20also%20managed%20the%20promotion%20and%20distribution%20of%20Atlantic%20Records%20product%20in%20the%20UK,%20and%20promoted%20Ike%20and%20Tina%20Turner's%20&quot;River%20Deep%20%c2%96%20Mountain%20High&quot;,%20a%20record%20which%20had%20failed%20in%20the%20US%20but%20became%20a%20major%20hit%20in%20the%20UK.%0a%0aHall%20left%20Decca%20in%201967,%20and%20formed%20the%20UK's%20first%20independent%20promotion%20company,%20Tony%20Hall%20Enterprises,%20which%20was%20responsible%20for%20promoting%20acts%20including%20Jimi%20Hendrix,%20Joe%20Cocker,%20and%20Black%20Sabbath.%20He%20then%20moved%20into%20management,%20guiding%20the%20careers%20of%20The%20Real%20Thing,%20Loose%20Ends,%20and%20Lynden%20David%20Hall%20in%20the%201980s%20and%201990s.%20He%20wrote%20for%20Jazzwise%20magazine%20till%202018.">Tony Hall was born in Avening, Gloucestershire, and was educated at Lancing College. After National Service, he started working at the Feldman Swing Club (later The 100 Club) in Oxford Street, London, where he became a regular host and met many of the leading jazz acts of the day. In 1952 he started working for Jeffrey Kruger at the Flamingo Club, and in 1954 started working as an A&amp;R man for Decca Records.

He soon took responsibility for reviving the subsidiary Tempo label, and produced sessions by jazz acts such as Ronnie Scott, Tubby Hayes, Dizzy Reece and Victor Feldman for the label. The Tempo label was discontinued in 1961. As part of his work for Decca, Hall also presented regular sponsored pop music programmes on Radio Luxembourg during the late 1950s and 1960s, and in the 1960s contributed a regular column to the pop music weekly Record Mirror, which Decca owned. He also managed the promotion and distribution of Atlantic Records product in the UK, and promoted Ike and Tina Turner's "River Deep  Mountain High", a record which had failed in the US but became a major hit in the UK.

Hall left Decca in 1967, and formed the UK's first independent promotion company, Tony Hall Enterprises, which was responsible for promoting acts including Jimi Hendrix, Joe Cocker, and Black Sabbath. He then moved into management, guiding the careers of The Real Thing, Loose Ends, and Lynden David Hall in the 1980s and 1990s. He wrote for Jazzwise magazine till 2018.</OtherInfo>
  <Source label="Source" urlencoded="https%3a%2f%2fen.wikipedia.org%2fwiki%2fTony_Hall_(music_executive)+(July+2019)" urlpathencoded="https://en.wikipedia.org/wiki/Tony_Hall_(music_executive)%20(July%202019)">https://en.wikipedia.org/wiki/Tony_Hall_(music_executive) (July 2019)</Source>
  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3
National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
  <Set label="Set" urlencoded="" urlpathencoded=""></Set>
  <ADMIN_DETAILS label="ADMIN_DETAILS" urlencoded="" urlpathencoded=""></ADMIN_DETAILS>
  <Creator label="Creator" urlencoded="RAHAKirkbride" urlpathencoded="RAHAKirkbride">RAHAKirkbride</Creator>
  <Created label="Created" urlencoded="7%2f11%2f2019" urlpathencoded="7/11/2019">7/11/2019</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
  <RecordID label="RecordID" urlencoded="232f8542-0c1d-42a7-87bb-d9fe31d405ab" urlpathencoded="232f8542-0c1d-42a7-87bb-d9fe31d405ab">232f8542-0c1d-42a7-87bb-d9fe31d405ab</RecordID>
</Summary>
</SummaryList>