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  <PersonName label="Name" urlencoded="Taylor%3b+Beth%3b+Scottish+opera+singer" urlpathencoded="Taylor;%20Beth;%20Scottish%20opera%20singer">Taylor; Beth; Scottish opera singer</PersonName>
  <Surname label="Surname" urlencoded="Taylor" urlpathencoded="Taylor">Taylor</Surname>
  <Forenames label="Forenames" urlencoded="Beth" urlpathencoded="Beth">Beth</Forenames>
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  <Epithet label="Epithet" urlencoded="Scottish+opera+singer" urlpathencoded="Scottish%20opera%20singer">Scottish opera singer</Epithet>
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  <DatesAndPlaces label="Place of Birth/Origin" urlencoded="Glasgow%2c+Scotland%2c+United+Kingdom" urlpathencoded="Glasgow,%20Scotland,%20United%20Kingdom">Glasgow, Scotland, United Kingdom</DatesAndPlaces>
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  <Nationality label="Nationality" urlencoded="Scottish" urlpathencoded="Scottish">Scottish</Nationality>
  <Activity label="Activity" urlencoded="Music+%7c+Classical" urlpathencoded="Music%20|%20Classical">Music | Classical</Activity>
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  <OtherInfo label="Biography" urlencoded="Born+in+Glasgow%2c+Taylor+studied+at+the+Royal+Conservatoire+of+Scotland%2c+graduating+as+Master+of+Arts+in+2018.%0a%0aTaylor+appeared+as+Arnalta+in+Monteverdi%27s+L%c2%92incoronazione+di+Poppea+with+the+Longborough+Festival+Opera+in+2018%2c%5b1%5d%5b5%5d+as+Marcellina+in+Mozart%27s+Le+nozze+di+Figaro+at+the+New+Generation+Festival+in+Florence%5b2%5d+in+2019%2c%5b1%5d+and+as+Bradamante+in+Handel%27s+Alcina+at+the+Op%c3%a9ra+de+Dijon+and+the+Op%c3%a9ra+national+de+Lorraine+in+Nancy+in+2020.%5b1%5d%5b2%5d+Taylor+appeared+at+the+Oper+Frankfurt+first+in+2021+as+Dardano+in+Handel%27s+Amadigi.%5b6%5d+Her+mezzo-soprano+was+the+only+lower+voice%2c+and+a+reviewer+said+that+she+portrayed+her+character+with+fine+vocal+lines+and+remarkable+coloratura%5b7%5d+She+returned+in+2022+as+Falliero+in+Rossini%27s+Bianca+e+Falliero%2c+directed+by+Tilmann+K%c3%b6hler+and+conducted+by+Giuliano+Carella.+The+work+had+been+planned+for+2020%2c+and+in+collaboration+with+the+Tirol+Festival+in+Erl%2c+to+conclude+a+focus+of+Rossini%27s+works.%5b8%5d%5b9%5d+A+reviewer+noted+her+full+voice%2c+with+volume+in+the+middle+register%2c+precise+and+flexible+coloraturas%2c+and+dramatic+outbursts%2c+portraying+the+fall+of+the+character+from+a+victor+in+battle+to+giving+himself+up%2c+in+duets+of+great+harmony+with+Heather+Phillips+as+Bianca.%5b10%5d%0a%0aIn+concert%2c+she+has+appeared+with+orchestras+including+the+Royal+Scottish+National+Orchestra%2c+the+Netherlands+Radio+Symphony+Orchestra+and+La+Cetra+Baroque+Orchestra" urlpathencoded="Born%20in%20Glasgow,%20Taylor%20studied%20at%20the%20Royal%20Conservatoire%20of%20Scotland,%20graduating%20as%20Master%20of%20Arts%20in%202018.%0a%0aTaylor%20appeared%20as%20Arnalta%20in%20Monteverdi's%20L%c2%92incoronazione%20di%20Poppea%20with%20the%20Longborough%20Festival%20Opera%20in%202018,[1][5]%20as%20Marcellina%20in%20Mozart's%20Le%20nozze%20di%20Figaro%20at%20the%20New%20Generation%20Festival%20in%20Florence[2]%20in%202019,[1]%20and%20as%20Bradamante%20in%20Handel's%20Alcina%20at%20the%20Op%c3%a9ra%20de%20Dijon%20and%20the%20Op%c3%a9ra%20national%20de%20Lorraine%20in%20Nancy%20in%202020.[1][2]%20Taylor%20appeared%20at%20the%20Oper%20Frankfurt%20first%20in%202021%20as%20Dardano%20in%20Handel's%20Amadigi.[6]%20Her%20mezzo-soprano%20was%20the%20only%20lower%20voice,%20and%20a%20reviewer%20said%20that%20she%20portrayed%20her%20character%20with%20fine%20vocal%20lines%20and%20remarkable%20coloratura[7]%20She%20returned%20in%202022%20as%20Falliero%20in%20Rossini's%20Bianca%20e%20Falliero,%20directed%20by%20Tilmann%20K%c3%b6hler%20and%20conducted%20by%20Giuliano%20Carella.%20The%20work%20had%20been%20planned%20for%202020,%20and%20in%20collaboration%20with%20the%20Tirol%20Festival%20in%20Erl,%20to%20conclude%20a%20focus%20of%20Rossini's%20works.[8][9]%20A%20reviewer%20noted%20her%20full%20voice,%20with%20volume%20in%20the%20middle%20register,%20precise%20and%20flexible%20coloraturas,%20and%20dramatic%20outbursts,%20portraying%20the%20fall%20of%20the%20character%20from%20a%20victor%20in%20battle%20to%20giving%20himself%20up,%20in%20duets%20of%20great%20harmony%20with%20Heather%20Phillips%20as%20Bianca.[10]%0a%0aIn%20concert,%20she%20has%20appeared%20with%20orchestras%20including%20the%20Royal%20Scottish%20National%20Orchestra,%20the%20Netherlands%20Radio%20Symphony%20Orchestra%20and%20La%20Cetra%20Baroque%20Orchestra">Born in Glasgow, Taylor studied at the Royal Conservatoire of Scotland, graduating as Master of Arts in 2018.

Taylor appeared as Arnalta in Monteverdi's Lincoronazione di Poppea with the Longborough Festival Opera in 2018,[1][5] as Marcellina in Mozart's Le nozze di Figaro at the New Generation Festival in Florence[2] in 2019,[1] and as Bradamante in Handel's Alcina at the Opéra de Dijon and the Opéra national de Lorraine in Nancy in 2020.[1][2] Taylor appeared at the Oper Frankfurt first in 2021 as Dardano in Handel's Amadigi.[6] Her mezzo-soprano was the only lower voice, and a reviewer said that she portrayed her character with fine vocal lines and remarkable coloratura[7] She returned in 2022 as Falliero in Rossini's Bianca e Falliero, directed by Tilmann Köhler and conducted by Giuliano Carella. The work had been planned for 2020, and in collaboration with the Tirol Festival in Erl, to conclude a focus of Rossini's works.[8][9] A reviewer noted her full voice, with volume in the middle register, precise and flexible coloraturas, and dramatic outbursts, portraying the fall of the character from a victor in battle to giving himself up, in duets of great harmony with Heather Phillips as Bianca.[10]

In concert, she has appeared with orchestras including the Royal Scottish National Orchestra, the Netherlands Radio Symphony Orchestra and La Cetra Baroque Orchestra</OtherInfo>
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3
National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
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  <Created label="Created" urlencoded="8%2f26%2f2025" urlpathencoded="8/26/2025">8/26/2025</Created>
  <Modifier label="Modifier" urlencoded="RAHHFulton" urlpathencoded="RAHHFulton">RAHHFulton</Modifier>
  <Modified label="Modified" urlencoded="8%2f26%2f2025" urlpathencoded="8/26/2025">8/26/2025</Modified>
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