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  <Code label="Code" urlencoded="DS%2fUK%2f345" urlpathencoded="DS/UK/345">DS/UK/345</Code>
  <PersonName label="Name" urlencoded="Galli-Curci%3b+Amelita+(1882-1963)%3b+Italian+operatic+soprano" urlpathencoded="Galli-Curci;%20Amelita%20(1882-1963);%20Italian%20operatic%20soprano">Galli-Curci; Amelita (1882-1963); Italian operatic soprano</PersonName>
  <Surname label="Surname" urlencoded="Galli-Curci" urlpathencoded="Galli-Curci">Galli-Curci</Surname>
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  <Dates label="Dates" urlencoded="1882-1963" urlpathencoded="1882-1963">1882-1963</Dates>
  <Epithet label="Epithet" urlencoded="Italian+operatic+soprano" urlpathencoded="Italian%20operatic%20soprano">Italian operatic soprano</Epithet>
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  <OtherInfo label="Biography" urlencoded="Galli-Curci+made+her+operatic+debut+in+1906+at+Trani%2c+as+Gilda+in+Giuseppe+Verdi%27s+Rigoletto%2c+and+she+rapidly+became+acclaimed+throughout+Italy+for+the+sweetness+and+agility+of+her+voice+and+her+captivating+musical+interpretations.+She+was+seen+by+many+critics+as+an+antidote+to+the+host+of+squally%2c+verismo-orientated+sopranos+then+populating+Italian+opera+houses.%0a%0aShe+arrived+in+the+United+States+in+1916+as+a+virtual+unknown.+Her+stay+was+intended+to+be+brief%2c+but+the+acclaim+she+received+for+her+performance+as+Gilda+in+Rigoletto+in+Chicago%2c+Illinois+on+November+18%2c+1916+(her+34th+birthday)+was+so+wildly+enthusiastic+that+she+accepted+an+offer+to+remain+with+the+Chicago+Opera+Company.+She+was+a+member+of+the+company+through+until+the+end+of+the+1924+season.+Also+in+1916%2c+Galli-Curci+signed+a+recording+contract+with+the+Victor+Talking+Machine+Company+and+recorded+exclusively+for+the+company+until+1930.%0a%0aIn+1921%2c+Galli-Curci+joined+the+Metropolitan+Opera+in+New+York+City%2c+remaining+with+the+Met+until+her+retirement+from+the+operatic+stage+nine+years+later.+She+sang+also+in+Great+Britain%2c+appearing+in+20+cities+during+a+1924+tour%2c+and+visited+Australia+a+year+later+for+a+series+of+recitals." urlpathencoded="Galli-Curci%20made%20her%20operatic%20debut%20in%201906%20at%20Trani,%20as%20Gilda%20in%20Giuseppe%20Verdi's%20Rigoletto,%20and%20she%20rapidly%20became%20acclaimed%20throughout%20Italy%20for%20the%20sweetness%20and%20agility%20of%20her%20voice%20and%20her%20captivating%20musical%20interpretations.%20She%20was%20seen%20by%20many%20critics%20as%20an%20antidote%20to%20the%20host%20of%20squally,%20verismo-orientated%20sopranos%20then%20populating%20Italian%20opera%20houses.%0a%0aShe%20arrived%20in%20the%20United%20States%20in%201916%20as%20a%20virtual%20unknown.%20Her%20stay%20was%20intended%20to%20be%20brief,%20but%20the%20acclaim%20she%20received%20for%20her%20performance%20as%20Gilda%20in%20Rigoletto%20in%20Chicago,%20Illinois%20on%20November%2018,%201916%20(her%2034th%20birthday)%20was%20so%20wildly%20enthusiastic%20that%20she%20accepted%20an%20offer%20to%20remain%20with%20the%20Chicago%20Opera%20Company.%20She%20was%20a%20member%20of%20the%20company%20through%20until%20the%20end%20of%20the%201924%20season.%20Also%20in%201916,%20Galli-Curci%20signed%20a%20recording%20contract%20with%20the%20Victor%20Talking%20Machine%20Company%20and%20recorded%20exclusively%20for%20the%20company%20until%201930.%0a%0aIn%201921,%20Galli-Curci%20joined%20the%20Metropolitan%20Opera%20in%20New%20York%20City,%20remaining%20with%20the%20Met%20until%20her%20retirement%20from%20the%20operatic%20stage%20nine%20years%20later.%20She%20sang%20also%20in%20Great%20Britain,%20appearing%20in%2020%20cities%20during%20a%201924%20tour,%20and%20visited%20Australia%20a%20year%20later%20for%20a%20series%20of%20recitals.">Galli-Curci made her operatic debut in 1906 at Trani, as Gilda in Giuseppe Verdi's Rigoletto, and she rapidly became acclaimed throughout Italy for the sweetness and agility of her voice and her captivating musical interpretations. She was seen by many critics as an antidote to the host of squally, verismo-orientated sopranos then populating Italian opera houses.

She arrived in the United States in 1916 as a virtual unknown. Her stay was intended to be brief, but the acclaim she received for her performance as Gilda in Rigoletto in Chicago, Illinois on November 18, 1916 (her 34th birthday) was so wildly enthusiastic that she accepted an offer to remain with the Chicago Opera Company. She was a member of the company through until the end of the 1924 season. Also in 1916, Galli-Curci signed a recording contract with the Victor Talking Machine Company and recorded exclusively for the company until 1930.

In 1921, Galli-Curci joined the Metropolitan Opera in New York City, remaining with the Met until her retirement from the operatic stage nine years later. She sang also in Great Britain, appearing in 20 cities during a 1924 tour, and visited Australia a year later for a series of recitals.
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
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  <Creator label="Creator" urlencoded="RAHSkeyte" urlpathencoded="RAHSkeyte">RAHSkeyte</Creator>
  <Created label="Created" urlencoded="7%2f20%2f2012" urlpathencoded="7/20/2012">7/20/2012</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
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