﻿<?xml version="1.0" encoding="utf-8"?>
<SummaryList>
  <Summary>
  <RecordType label="RecordType" urlencoded="Person" urlpathencoded="Person">Person</RecordType>
  <Status label="Status" urlencoded="Open" urlpathencoded="Open">Open</Status>
  <AUTHORITYCONTROL label="AUTHORITYCONTROL" urlencoded="" urlpathencoded=""></AUTHORITYCONTROL>
  <Code label="Code" urlencoded="DS%2fUK%2f376" urlpathencoded="DS/UK/376">DS/UK/376</Code>
  <PersonName label="Name" urlencoded="Vallin%3b+Ninon+(1886-1961)%3b+French+soprano" urlpathencoded="Vallin;%20Ninon%20(1886-1961);%20French%20soprano">Vallin; Ninon (1886-1961); French soprano</PersonName>
  <Surname label="Surname" urlencoded="Vallin" urlpathencoded="Vallin">Vallin</Surname>
  <Forenames label="Forenames" urlencoded="Ninon" urlpathencoded="Ninon">Ninon</Forenames>
  <PreTitle label="PreTitle" urlencoded="" urlpathencoded=""></PreTitle>
  <Title label="Title" urlencoded="" urlpathencoded=""></Title>
  <Dates label="Dates" urlencoded="1886-1961" urlpathencoded="1886-1961">1886-1961</Dates>
  <Epithet label="Epithet" urlencoded="French+soprano" urlpathencoded="French%20soprano">French soprano</Epithet>
  <Gender label="Gender" urlencoded="Female+(cisgender)" urlpathencoded="Female%20(cisgender)">Female (cisgender)</Gender>
  <ParallelEntry label="Variations of Name" urlencoded="" urlpathencoded=""></ParallelEntry>
  <NonPreferredTerm label="Alias" urlencoded="" urlpathencoded=""></NonPreferredTerm>
  <INFORMATIONAREA label="INFORMATIONAREA" urlencoded="" urlpathencoded=""></INFORMATIONAREA>
  <DatesAndPlaces label="Place of Birth/Origin" urlencoded="" urlpathencoded=""></DatesAndPlaces>
  <Address label="Address" urlencoded="" urlpathencoded=""></Address>
  <Nationality label="Nationality" urlencoded="" urlpathencoded=""></Nationality>
  <Activity label="Activity" urlencoded="" urlpathencoded=""></Activity>
  <Relationships label="Relationships" urlencoded="" urlpathencoded=""></Relationships>
  <OtherInfo label="Biography" urlencoded="Ninon+(Eug%c3%a9nie)+Vallin+was+born+in+France+in+1915.+She+studied+at+the+Lyon+Conservatoire+and+later+in+Paris.+At+first+she+had+no+intention+of+performing+opera%2c+preparing+herself+for+a+career+on+the+concert+platform.+In+1911+she+was+chosen+by+Claude+Debussy+to+sing+the+part+of+the+celestial+voice+in+the+first+performance+of+his+Le+martyre+de+Saint+S%c3%a9bastien.+She+continued+her+association+with+Debussy%2c+giving+the+premi%c3%a8re+of+his+Trois+po%c3%a8mes+de+St%c3%a9phane+Mallarm%c3%a9+in+1914+at+the+Salle+Gaveau+in+Paris%2c+accompanied+by+the+composer.+She+also+worked+extensively+with+other+contemporary+composers%2c+including+Albert+Roussel%2c+Joaqu%c3%adn+Nin-Culmell%2c+and+Reynaldo+Hahn%3b+the+latter+two+accompanied+her+in+recordings+of+their+own+works.%0a%0aShe+was+first+persuaded+to+sing+opera+in+1912%2c+appearing+in+a+number+of+roles+at+the+Op%c3%a9ra-Comique%2c+including+Mica%c3%abla+(in+Carmen)%2c+Mim%c3%ac+(in+La+boh%c3%a8me)%2c+and+the+title+part+in+Louise.+She+went+on+to+make+her+d%c3%a9but+at+the+Teatro+Col%c3%b3n%2c+as+Marguerite+(in+Faust)+in+1916%2c+returning+there+regularly+over+the+next+20+years.+She+made+other+d%c3%a9buts+at+Milan%27s+La+Scala+(in+1916)%2c+Rome+(1917)%2c+the+Paris+Op%c3%a9ra%2c+as+Tha%c3%afs%2c+(1920)+and+San+Francisco+opera+(1934).+The+range+of+roles+which+she+undertook+was+unusually+varied+in+their+vocal+requirements%3a+Manon%2c+Charlotte+(in+Werther)%2c+Juliette+(in+Rom%c3%a9o+et+Juliette)%2c+Marguerite+(in+Faust)%2c+Mignon%2c+Zerlina+(in+Don+Giovanni)+and+M%c3%a9lisande.+She+also+sang+the+trio+of+heroines+in+The+Tales+of+Hoffmann.%0a%0aBetween+1953+and+1959%2c+she+was+a+guest+professor+at+the+Conservatory+in+Montevideo.+She+died+in+1961+at+La+Sauvag%c3%a8re%2c+her+estate+at+Millery%2c+near+Lyons." urlpathencoded="Ninon%20(Eug%c3%a9nie)%20Vallin%20was%20born%20in%20France%20in%201915.%20She%20studied%20at%20the%20Lyon%20Conservatoire%20and%20later%20in%20Paris.%20At%20first%20she%20had%20no%20intention%20of%20performing%20opera,%20preparing%20herself%20for%20a%20career%20on%20the%20concert%20platform.%20In%201911%20she%20was%20chosen%20by%20Claude%20Debussy%20to%20sing%20the%20part%20of%20the%20celestial%20voice%20in%20the%20first%20performance%20of%20his%20Le%20martyre%20de%20Saint%20S%c3%a9bastien.%20She%20continued%20her%20association%20with%20Debussy,%20giving%20the%20premi%c3%a8re%20of%20his%20Trois%20po%c3%a8mes%20de%20St%c3%a9phane%20Mallarm%c3%a9%20in%201914%20at%20the%20Salle%20Gaveau%20in%20Paris,%20accompanied%20by%20the%20composer.%20She%20also%20worked%20extensively%20with%20other%20contemporary%20composers,%20including%20Albert%20Roussel,%20Joaqu%c3%adn%20Nin-Culmell,%20and%20Reynaldo%20Hahn;%20the%20latter%20two%20accompanied%20her%20in%20recordings%20of%20their%20own%20works.%0a%0aShe%20was%20first%20persuaded%20to%20sing%20opera%20in%201912,%20appearing%20in%20a%20number%20of%20roles%20at%20the%20Op%c3%a9ra-Comique,%20including%20Mica%c3%abla%20(in%20Carmen),%20Mim%c3%ac%20(in%20La%20boh%c3%a8me),%20and%20the%20title%20part%20in%20Louise.%20She%20went%20on%20to%20make%20her%20d%c3%a9but%20at%20the%20Teatro%20Col%c3%b3n,%20as%20Marguerite%20(in%20Faust)%20in%201916,%20returning%20there%20regularly%20over%20the%20next%2020%20years.%20She%20made%20other%20d%c3%a9buts%20at%20Milan's%20La%20Scala%20(in%201916),%20Rome%20(1917),%20the%20Paris%20Op%c3%a9ra,%20as%20Tha%c3%afs,%20(1920)%20and%20San%20Francisco%20opera%20(1934).%20The%20range%20of%20roles%20which%20she%20undertook%20was%20unusually%20varied%20in%20their%20vocal%20requirements:%20Manon,%20Charlotte%20(in%20Werther),%20Juliette%20(in%20Rom%c3%a9o%20et%20Juliette),%20Marguerite%20(in%20Faust),%20Mignon,%20Zerlina%20(in%20Don%20Giovanni)%20and%20M%c3%a9lisande.%20She%20also%20sang%20the%20trio%20of%20heroines%20in%20The%20Tales%20of%20Hoffmann.%0a%0aBetween%201953%20and%201959,%20she%20was%20a%20guest%20professor%20at%20the%20Conservatory%20in%20Montevideo.%20She%20died%20in%201961%20at%20La%20Sauvag%c3%a8re,%20her%20estate%20at%20Millery,%20near%20Lyons.">Ninon (Eugénie) Vallin was born in France in 1915. She studied at the Lyon Conservatoire and later in Paris. At first she had no intention of performing opera, preparing herself for a career on the concert platform. In 1911 she was chosen by Claude Debussy to sing the part of the celestial voice in the first performance of his Le martyre de Saint Sébastien. She continued her association with Debussy, giving the première of his Trois poèmes de Stéphane Mallarmé in 1914 at the Salle Gaveau in Paris, accompanied by the composer. She also worked extensively with other contemporary composers, including Albert Roussel, Joaquín Nin-Culmell, and Reynaldo Hahn; the latter two accompanied her in recordings of their own works.

She was first persuaded to sing opera in 1912, appearing in a number of roles at the Opéra-Comique, including Micaëla (in Carmen), Mimì (in La bohème), and the title part in Louise. She went on to make her début at the Teatro Colón, as Marguerite (in Faust) in 1916, returning there regularly over the next 20 years. She made other débuts at Milan's La Scala (in 1916), Rome (1917), the Paris Opéra, as Thaïs, (1920) and San Francisco opera (1934). The range of roles which she undertook was unusually varied in their vocal requirements: Manon, Charlotte (in Werther), Juliette (in Roméo et Juliette), Marguerite (in Faust), Mignon, Zerlina (in Don Giovanni) and Mélisande. She also sang the trio of heroines in The Tales of Hoffmann.

Between 1953 and 1959, she was a guest professor at the Conservatory in Montevideo. She died in 1961 at La Sauvagère, her estate at Millery, near Lyons.

</OtherInfo>
  <PublishedWorks label="Trivia" urlencoded="" urlpathencoded=""></PublishedWorks>
  <Source label="Source" urlencoded="" urlpathencoded=""></Source>
  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
  <Set label="Set" urlencoded="" urlpathencoded=""></Set>
  <ADMIN_DETAILS label="ADMIN_DETAILS" urlencoded="" urlpathencoded=""></ADMIN_DETAILS>
  <Creator label="Creator" urlencoded="RAHSkeyte" urlpathencoded="RAHSkeyte">RAHSkeyte</Creator>
  <Created label="Created" urlencoded="7%2f23%2f2012" urlpathencoded="7/23/2012">7/23/2012</Created>
  <Modifier label="Modifier" urlencoded="RAHAKirkbride" urlpathencoded="RAHAKirkbride">RAHAKirkbride</Modifier>
  <Modified label="Modified" urlencoded="11%2f29%2f2022" urlpathencoded="11/29/2022">11/29/2022</Modified>
  <RecordID label="RecordID" urlencoded="2105114b-628e-4afa-a5c4-104b43a0c7b6" urlpathencoded="2105114b-628e-4afa-a5c4-104b43a0c7b6">2105114b-628e-4afa-a5c4-104b43a0c7b6</RecordID>
</Summary>
</SummaryList>