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  <Code label="Code" urlencoded="DS%2fUK%2f4329" urlpathencoded="DS/UK/4329">DS/UK/4329</Code>
  <PersonName label="Name" urlencoded="Orquesta+Buena+Vista+Social+Club+(1996-)" urlpathencoded="Orquesta%20Buena%20Vista%20Social%20Club%20(1996-)">Orquesta Buena Vista Social Club (1996-)</PersonName>
  <Name label="Name" urlencoded="Orquesta+Buena+Vista+Social+Club" urlpathencoded="Orquesta%20Buena%20Vista%20Social%20Club">Orquesta Buena Vista Social Club</Name>
  <Dates label="Dates" urlencoded="1996-" urlpathencoded="1996-">1996-</Dates>
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  <DatesAndPlaces label="Place of Birth/Origin" urlencoded="" urlpathencoded=""></DatesAndPlaces>
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  <OtherInfo label="Biography" urlencoded="The+Buena+Vista+Social+Club+was+a+members+club+in+Havana%2c+Cuba+that+held+dances+and+musical+activities%2c+becoming+a+popular+location+for+musicians+to+meet+and+play+during+the+1940s.+In+the+1990s%2c+nearly+50+years+after+the+club+was+closed%2c+it+inspired+a+recording+made+by+Cuban+musician+Juan+de+Marcos+Gonz%c3%a1lez+and+American+guitarist+Ry+Cooder+with+traditional+Cuban+musicians%2c+some+of+whom+were+veterans+who+had+performed+at+the+club+during+the+height+of+its+popularity.%0a%0aThe+recording%2c+named+Buena+Vista+Social+Club+after+the+Havana+institution%2c+became+an+international+success%2c+and+the+ensemble+was+encouraged+to+perform+with+a+full+line-up+in+Amsterdam+in+1998.+German+director+Wim+Wenders+captured+the+performance+on+film%2c+followed+by+a+second+concert+in+Carnegie+Hall%2c+New+York+City+for+a+documentary+that+included+interviews+with+the+musicians+conducted+in+Havana.+Wenders%27+film%2c+also+called+Buena+Vista+Social+Club%2c+was+released+to+critical+acclaim%2c+receiving+an+Academy+Award+nomination+for+Best+Documentary+feature+and+winning+numerous+accolades+including+Best+Documentary+at+the+European+Film+Awards.%0a%0aThe+success+of+both+the+album+and+film+sparked+a+revival+of+international+interest+in+traditional+Cuban+music+and+Latin+American+music+in+general.+Some+of+the+Cuban+performers+later+released+well-received+solo+albums+and+recorded+collaborations+with+international+stars+from+different+musical+genres.+The+%22Buena+Vista+Social+Club%22+name+became+an+umbrella+term+to+describe+these+performances+and+releases%2c+and+has+been+likened+to+a+brand+label+that+encapsulates+Cuba%27s+%22musical+golden+age%22+between+the+1930s+and+1950s.+The+new+success+was+fleeting+for+the+most+recognizable+artists+in+the+ensemble%3a+Compay+Segundo%2c+Rub%c3%a9n+Gonz%c3%a1lez%2c+and+Ibrahim+Ferrer%2c+who+died+at+the+ages+of+ninety-five%2c+eighty-four%2c+and+seventy-eight+respectively%3b+Segundo+and+Gonz%c3%a1lez+in+2003%2c+then+Ferrer+in+2005.%0a%0aSeveral+surviving+members+of+the+Buena+Vista+Social+Club%2c+such+as+trumpeter+Manuel+%22Guajiro%22+Mirabal%2c+la%c3%bad+player+Barbarito+Torres+and+trombonist+and+conductor+Jesus+%22Aguaje%22+Ramos+currently+tour+worldwide%2c+to+popular+acclaim%2c+with+new+members+such+as+the+singer+Carlos+Calunga%2c+virtuoso+pianist+Rolando+Luna+and+occasionally+the+solo+singer+Omara+Portuondo%2c+as+part+of+a+13+member+band+called+Orquesta+Buena+Vista+Social+Club.%0a%0a%22Buena+Vista+Social+Club%22+continue+to+tour+throughout+the+world+as+Orquesta+Buena+Vista+Social+Club%2c+and+despite+the+deaths+of+six+of+the+original+members%2c+the+collective+performs+with+many+of+the+remaining+ensemble+members+including+Barbarito+Torres+and+%22Guajiro%22+Mirabal.++Ry+Cooder%27s+guitar+parts+are+handled+by+Manuel+Galb%c3%a1n%2c+a+former+member+of+Cuban+vocal+group+Los+Zafiros%2c+who+played+on+Ibrahim+Ferrer%27s+first+solo+record+with+Cooder+and+appeared+in+Wim+Wenders%27+film.++Following+a+2007+performance+in+London%2c+a+reviewer+at+The+Independent+described+the+ensemble+as+%22something+of+an+anomaly+in+music+business+terms%2c+due+to+their+changing+line-up+and+the+fact+that+they%27ve+never+really+had+one+defining+front+person%22%2c+adding%2c+%22It%27s+hard+to+know+what+to+expect+from+what+is+more+of+a+brand+than+a+band.%22" urlpathencoded="The%20Buena%20Vista%20Social%20Club%20was%20a%20members%20club%20in%20Havana,%20Cuba%20that%20held%20dances%20and%20musical%20activities,%20becoming%20a%20popular%20location%20for%20musicians%20to%20meet%20and%20play%20during%20the%201940s.%20In%20the%201990s,%20nearly%2050%20years%20after%20the%20club%20was%20closed,%20it%20inspired%20a%20recording%20made%20by%20Cuban%20musician%20Juan%20de%20Marcos%20Gonz%c3%a1lez%20and%20American%20guitarist%20Ry%20Cooder%20with%20traditional%20Cuban%20musicians,%20some%20of%20whom%20were%20veterans%20who%20had%20performed%20at%20the%20club%20during%20the%20height%20of%20its%20popularity.%0a%0aThe%20recording,%20named%20Buena%20Vista%20Social%20Club%20after%20the%20Havana%20institution,%20became%20an%20international%20success,%20and%20the%20ensemble%20was%20encouraged%20to%20perform%20with%20a%20full%20line-up%20in%20Amsterdam%20in%201998.%20German%20director%20Wim%20Wenders%20captured%20the%20performance%20on%20film,%20followed%20by%20a%20second%20concert%20in%20Carnegie%20Hall,%20New%20York%20City%20for%20a%20documentary%20that%20included%20interviews%20with%20the%20musicians%20conducted%20in%20Havana.%20Wenders'%20film,%20also%20called%20Buena%20Vista%20Social%20Club,%20was%20released%20to%20critical%20acclaim,%20receiving%20an%20Academy%20Award%20nomination%20for%20Best%20Documentary%20feature%20and%20winning%20numerous%20accolades%20including%20Best%20Documentary%20at%20the%20European%20Film%20Awards.%0a%0aThe%20success%20of%20both%20the%20album%20and%20film%20sparked%20a%20revival%20of%20international%20interest%20in%20traditional%20Cuban%20music%20and%20Latin%20American%20music%20in%20general.%20Some%20of%20the%20Cuban%20performers%20later%20released%20well-received%20solo%20albums%20and%20recorded%20collaborations%20with%20international%20stars%20from%20different%20musical%20genres.%20The%20&quot;Buena%20Vista%20Social%20Club&quot;%20name%20became%20an%20umbrella%20term%20to%20describe%20these%20performances%20and%20releases,%20and%20has%20been%20likened%20to%20a%20brand%20label%20that%20encapsulates%20Cuba's%20&quot;musical%20golden%20age&quot;%20between%20the%201930s%20and%201950s.%20The%20new%20success%20was%20fleeting%20for%20the%20most%20recognizable%20artists%20in%20the%20ensemble:%20Compay%20Segundo,%20Rub%c3%a9n%20Gonz%c3%a1lez,%20and%20Ibrahim%20Ferrer,%20who%20died%20at%20the%20ages%20of%20ninety-five,%20eighty-four,%20and%20seventy-eight%20respectively;%20Segundo%20and%20Gonz%c3%a1lez%20in%202003,%20then%20Ferrer%20in%202005.%0a%0aSeveral%20surviving%20members%20of%20the%20Buena%20Vista%20Social%20Club,%20such%20as%20trumpeter%20Manuel%20&quot;Guajiro&quot;%20Mirabal,%20la%c3%bad%20player%20Barbarito%20Torres%20and%20trombonist%20and%20conductor%20Jesus%20&quot;Aguaje&quot;%20Ramos%20currently%20tour%20worldwide,%20to%20popular%20acclaim,%20with%20new%20members%20such%20as%20the%20singer%20Carlos%20Calunga,%20virtuoso%20pianist%20Rolando%20Luna%20and%20occasionally%20the%20solo%20singer%20Omara%20Portuondo,%20as%20part%20of%20a%2013%20member%20band%20called%20Orquesta%20Buena%20Vista%20Social%20Club.%0a%0a&quot;Buena%20Vista%20Social%20Club&quot;%20continue%20to%20tour%20throughout%20the%20world%20as%20Orquesta%20Buena%20Vista%20Social%20Club,%20and%20despite%20the%20deaths%20of%20six%20of%20the%20original%20members,%20the%20collective%20performs%20with%20many%20of%20the%20remaining%20ensemble%20members%20including%20Barbarito%20Torres%20and%20&quot;Guajiro&quot;%20Mirabal.%20%20Ry%20Cooder's%20guitar%20parts%20are%20handled%20by%20Manuel%20Galb%c3%a1n,%20a%20former%20member%20of%20Cuban%20vocal%20group%20Los%20Zafiros,%20who%20played%20on%20Ibrahim%20Ferrer's%20first%20solo%20record%20with%20Cooder%20and%20appeared%20in%20Wim%20Wenders'%20film.%20%20Following%20a%202007%20performance%20in%20London,%20a%20reviewer%20at%20The%20Independent%20described%20the%20ensemble%20as%20&quot;something%20of%20an%20anomaly%20in%20music%20business%20terms,%20due%20to%20their%20changing%20line-up%20and%20the%20fact%20that%20they've%20never%20really%20had%20one%20defining%20front%20person&quot;,%20adding,%20&quot;It's%20hard%20to%20know%20what%20to%20expect%20from%20what%20is%20more%20of%20a%20brand%20than%20a%20band.&quot;">The Buena Vista Social Club was a members club in Havana, Cuba that held dances and musical activities, becoming a popular location for musicians to meet and play during the 1940s. In the 1990s, nearly 50 years after the club was closed, it inspired a recording made by Cuban musician Juan de Marcos González and American guitarist Ry Cooder with traditional Cuban musicians, some of whom were veterans who had performed at the club during the height of its popularity.

The recording, named Buena Vista Social Club after the Havana institution, became an international success, and the ensemble was encouraged to perform with a full line-up in Amsterdam in 1998. German director Wim Wenders captured the performance on film, followed by a second concert in Carnegie Hall, New York City for a documentary that included interviews with the musicians conducted in Havana. Wenders' film, also called Buena Vista Social Club, was released to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.

The success of both the album and film sparked a revival of international interest in traditional Cuban music and Latin American music in general. Some of the Cuban performers later released well-received solo albums and recorded collaborations with international stars from different musical genres. The "Buena Vista Social Club" name became an umbrella term to describe these performances and releases, and has been likened to a brand label that encapsulates Cuba's "musical golden age" between the 1930s and 1950s. The new success was fleeting for the most recognizable artists in the ensemble: Compay Segundo, Rubén González, and Ibrahim Ferrer, who died at the ages of ninety-five, eighty-four, and seventy-eight respectively; Segundo and González in 2003, then Ferrer in 2005.

Several surviving members of the Buena Vista Social Club, such as trumpeter Manuel "Guajiro" Mirabal, laúd player Barbarito Torres and trombonist and conductor Jesus "Aguaje" Ramos currently tour worldwide, to popular acclaim, with new members such as the singer Carlos Calunga, virtuoso pianist Rolando Luna and occasionally the solo singer Omara Portuondo, as part of a 13 member band called Orquesta Buena Vista Social Club.

"Buena Vista Social Club" continue to tour throughout the world as Orquesta Buena Vista Social Club, and despite the deaths of six of the original members, the collective performs with many of the remaining ensemble members including Barbarito Torres and "Guajiro" Mirabal.  Ry Cooder's guitar parts are handled by Manuel Galbán, a former member of Cuban vocal group Los Zafiros, who played on Ibrahim Ferrer's first solo record with Cooder and appeared in Wim Wenders' film.  Following a 2007 performance in London, a reviewer at The Independent described the ensemble as "something of an anomaly in music business terms, due to their changing line-up and the fact that they've never really had one defining front person", adding, "It's hard to know what to expect from what is more of a brand than a band."</OtherInfo>
  <Source label="Source" urlencoded="Wikipedia" urlpathencoded="Wikipedia">Wikipedia</Source>
  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
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  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
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