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  <PersonName label="Name" urlencoded="Keel%3b+Frederick+(1871-1954)%3b+English+composer+of+art+songs%2c+baritone+singer%2c+academic" urlpathencoded="Keel;%20Frederick%20(1871-1954);%20English%20composer%20of%20art%20songs,%20baritone%20singer,%20academic">Keel; Frederick (1871-1954); English composer of art songs, baritone singer, academic</PersonName>
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  <Forenames label="Forenames" urlencoded="Frederick" urlpathencoded="Frederick">Frederick</Forenames>
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  <Dates label="Dates" urlencoded="1871-1954" urlpathencoded="1871-1954">1871-1954</Dates>
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  <OtherInfo label="Biography" urlencoded="James+Frederick+Keel+(8+May+1871+%c2%96+August+1954)+was+an+English+composer+of+art+songs%2c+baritone+singer+and+academic.+Keel+was+a+successful+recitalist+and+a+professor+of+singing+at+the+Royal+Academy+of+Music.+He+combined+scholarly+and+artistic+interest+in+English+songs+and+their+history.+His+free+settings+of+Elizabethan+and+Jacobean+lyrics+helped+pioneer+the+revival+of+interest+in+the+genre.+He+was+also+an+active+member+of+the+English+folksong+movement.+During+World+War+I%2c+Keel+was+held+in+the+civilian+internment+camp+at+Ruhleben+in+Germany%2c+where+he+played+an+active+role+in+the+camp%27s+musical+life%2c+giving+many+recitals+to+help+boost+the+morale+of+his+fellow+detainees.+Keel+was+one+of+the+few+singer-songwriters+of+English+art+songs+of+his+day.+Among+his+better+known+compositions+are+settings+of+Salt-Water+Ballads+by+the+poet+John+Masefield%2c+including+%27Trade+Winds%27%2c+the+popularity+of+which+has+given+Keel+a+reputation+for+being+a+%22one-song+composer%22.%0a%0aFrederick+Keel+was+born+in+London+on+8+May+1871%2c+the+eldest+son+of+James+Frederick+and+Mary+Anne+Keel.+He+attended+Wells+Cathedral+School.+After+teaching+in+several+preparatory+schools%2c+in+1895+he+enrolled+at+the+Royal+Academy+of+Music+(RAM)+where+he+studied+singing+with+Frederick+King+and+Frederick+Walker%2c+and+composition+with+Frederick+Corder.+Keel+further+pursued+his+training+as+a+singer+with+Federico+Blasco+in+Milan+in+1896%2c+before+moving+to+Munich+the+following+year+to+complete+his+studies+with+Eugen+Gura.+Keel%27s+London+debut+was+at+the+Queen%27s+Hall+in+1898.+His+pleasant+baritone+voice+and+singing+style+made+him+a+popular+recitalist+in+the+pre-war+years." urlpathencoded="James%20Frederick%20Keel%20(8%20May%201871%20%c2%96%20August%201954)%20was%20an%20English%20composer%20of%20art%20songs,%20baritone%20singer%20and%20academic.%20Keel%20was%20a%20successful%20recitalist%20and%20a%20professor%20of%20singing%20at%20the%20Royal%20Academy%20of%20Music.%20He%20combined%20scholarly%20and%20artistic%20interest%20in%20English%20songs%20and%20their%20history.%20His%20free%20settings%20of%20Elizabethan%20and%20Jacobean%20lyrics%20helped%20pioneer%20the%20revival%20of%20interest%20in%20the%20genre.%20He%20was%20also%20an%20active%20member%20of%20the%20English%20folksong%20movement.%20During%20World%20War%20I,%20Keel%20was%20held%20in%20the%20civilian%20internment%20camp%20at%20Ruhleben%20in%20Germany,%20where%20he%20played%20an%20active%20role%20in%20the%20camp's%20musical%20life,%20giving%20many%20recitals%20to%20help%20boost%20the%20morale%20of%20his%20fellow%20detainees.%20Keel%20was%20one%20of%20the%20few%20singer-songwriters%20of%20English%20art%20songs%20of%20his%20day.%20Among%20his%20better%20known%20compositions%20are%20settings%20of%20Salt-Water%20Ballads%20by%20the%20poet%20John%20Masefield,%20including%20'Trade%20Winds',%20the%20popularity%20of%20which%20has%20given%20Keel%20a%20reputation%20for%20being%20a%20&quot;one-song%20composer&quot;.%0a%0aFrederick%20Keel%20was%20born%20in%20London%20on%208%20May%201871,%20the%20eldest%20son%20of%20James%20Frederick%20and%20Mary%20Anne%20Keel.%20He%20attended%20Wells%20Cathedral%20School.%20After%20teaching%20in%20several%20preparatory%20schools,%20in%201895%20he%20enrolled%20at%20the%20Royal%20Academy%20of%20Music%20(RAM)%20where%20he%20studied%20singing%20with%20Frederick%20King%20and%20Frederick%20Walker,%20and%20composition%20with%20Frederick%20Corder.%20Keel%20further%20pursued%20his%20training%20as%20a%20singer%20with%20Federico%20Blasco%20in%20Milan%20in%201896,%20before%20moving%20to%20Munich%20the%20following%20year%20to%20complete%20his%20studies%20with%20Eugen%20Gura.%20Keel's%20London%20debut%20was%20at%20the%20Queen's%20Hall%20in%201898.%20His%20pleasant%20baritone%20voice%20and%20singing%20style%20made%20him%20a%20popular%20recitalist%20in%20the%20pre-war%20years.">James Frederick Keel (8 May 1871  August 1954) was an English composer of art songs, baritone singer and academic. Keel was a successful recitalist and a professor of singing at the Royal Academy of Music. He combined scholarly and artistic interest in English songs and their history. His free settings of Elizabethan and Jacobean lyrics helped pioneer the revival of interest in the genre. He was also an active member of the English folksong movement. During World War I, Keel was held in the civilian internment camp at Ruhleben in Germany, where he played an active role in the camp's musical life, giving many recitals to help boost the morale of his fellow detainees. Keel was one of the few singer-songwriters of English art songs of his day. Among his better known compositions are settings of Salt-Water Ballads by the poet John Masefield, including 'Trade Winds', the popularity of which has given Keel a reputation for being a "one-song composer".

Frederick Keel was born in London on 8 May 1871, the eldest son of James Frederick and Mary Anne Keel. He attended Wells Cathedral School. After teaching in several preparatory schools, in 1895 he enrolled at the Royal Academy of Music (RAM) where he studied singing with Frederick King and Frederick Walker, and composition with Frederick Corder. Keel further pursued his training as a singer with Federico Blasco in Milan in 1896, before moving to Munich the following year to complete his studies with Eugen Gura. Keel's London debut was at the Queen's Hall in 1898. His pleasant baritone voice and singing style made him a popular recitalist in the pre-war years.</OtherInfo>
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
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