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  <PersonName label="Name" urlencoded="Micheau%3b+Janine+(1914-1976)%3b+French+soprano" urlpathencoded="Micheau;%20Janine%20(1914-1976);%20French%20soprano">Micheau; Janine (1914-1976); French soprano</PersonName>
  <Surname label="Surname" urlencoded="Micheau" urlpathencoded="Micheau">Micheau</Surname>
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  <Dates label="Dates" urlencoded="1914-1976" urlpathencoded="1914-1976">1914-1976</Dates>
  <Epithet label="Epithet" urlencoded="French+soprano" urlpathencoded="French%20soprano">French soprano</Epithet>
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  <NonPreferredTerm label="Alias" urlencoded="Jeanine+Micheau" urlpathencoded="Jeanine%20Micheau">Jeanine Micheau</NonPreferredTerm>
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  <OtherInfo label="Biography" urlencoded="Janine+Micheau+(17+April+1914+-+18+October+1976)+was+a+French+singer%2c+one+of+the+leading+lyric+sopranos+of+her+era+in+France.%0a%0aJanine+(or+Jeanine)+Micheau+was+born+in+Toulouse%2c+and+studied+voice+at+the+Paris+Conservatoire.+She+made+her+professional+debut+at+the+Op%c3%a9ra-Comique+on+16+November+1933%2c+as+la+Plieuse+in+Louise%2c+following+this+with+Loys+in+Juif+polonais+by+Camille+Erlanger%2c+the+neighbour+in+Ang%c3%a9lique+by+Jacques+Ibert+and+small+roles+in+Lakm%c3%a9+(Miss+Rose)+and+Mireille+(Andreloun).%0a%0aShe+later+sang+Cherubino+in+Le+nozze+di+Figaro%2c+Olympia+in+Les+contes+d%27Hoffmann%2c+Rosina+in+Il+barbiere+di+Siviglia%2c+Leila+in+Les+p%c3%aacheurs+de+perles%2c+Micaela+in+Carmen%2c+and+the+title+role+in+Lakm%c3%a9+at+the+Salle+Favart.+By+1935+her+performances+gained+her+invitations+to+Marseille+(Lakm%c3%a9)%2c+and+then+(at+the+instigation+of+Pierre+Monteux)+to+Amsterdam+(M%c3%a9lisande)+and+San+Francisco.+In+Buenos+Aires+Erich+Kleiber+conducted+her+in+Sophie+in+Der+Rosenkavalier.%0a%0aShe+created+the+role+of+Creuse+in+Darius+Milhaud%27s+M%c3%a9d%c3%a9e%2c+for+her+debut+at+the+Paris+Op%c3%a9ra+in+1940%2c+where+she+also+sang+Gilda+in+Rigoletto%2c+Violetta+in+La+traviata+and+Sophie+in+Der+Rosenkavalier%2c+among+other+roles.%0a%0aOnce+the+war+was+over%2c+her+career+became+more+international+than+it+had+been%3b+she+performed+at+La+Scala+in+Milan%2c+La+Monnaie+in+Brussels%2c+Royal+Opera+House+in+London%2c+the+San+Francisco+Opera%2c+and+the+Lyric+Opera+of+Chicago.+At+these+venues+she+sang+nearly+all+the+great+French+soprano+roles%3a+including+Marguerite%2c+Juliette+in+the+Gounod+opera%2c+Massenet%27s+Manon%2c+and+M%c3%a9lisande+in+Pell%c3%a9as.+For+French+Radio+she+sang+in+Isoline+(1947)+and+Madame+Chrysanth%c3%a8me+(1956)%2c+by+Andr%c3%a9+Messager.%0a%0aMicheau+was+also+active+in+concert+especially+in+eighteenth+century+French+works+such+as+Rameau%27s+Les+Indes+galantes+and+Plat%c3%a9e.+She+made+many+recordings%2c+of+which+some+have+been+released+on+CDs.+Concert+works+in+her+repertoire+included+Sh%c3%a9h%c3%a9razade+by+Ravel%2c+Le+martyre+de+Saint+S%c3%a9bastien+and+La+damoiselle+%c3%a9lue+by+Debussy%2c+songs+by+Milhaud+and+Debussy%2c+and+%c3%80+la+musique+by+Chabrier+(which+she+also+recorded).%0a%0aFrom+1961+she+became+a+voice+teacher+at+the+Paris+Conservatoire%2c+and+the+Mozarteum+in+Salzburg.+Her+final+performance+was+as+Pamina+in+Rouen+in+May+1968." urlpathencoded="Janine%20Micheau%20(17%20April%201914%20-%2018%20October%201976)%20was%20a%20French%20singer,%20one%20of%20the%20leading%20lyric%20sopranos%20of%20her%20era%20in%20France.%0a%0aJanine%20(or%20Jeanine)%20Micheau%20was%20born%20in%20Toulouse,%20and%20studied%20voice%20at%20the%20Paris%20Conservatoire.%20She%20made%20her%20professional%20debut%20at%20the%20Op%c3%a9ra-Comique%20on%2016%20November%201933,%20as%20la%20Plieuse%20in%20Louise,%20following%20this%20with%20Loys%20in%20Juif%20polonais%20by%20Camille%20Erlanger,%20the%20neighbour%20in%20Ang%c3%a9lique%20by%20Jacques%20Ibert%20and%20small%20roles%20in%20Lakm%c3%a9%20(Miss%20Rose)%20and%20Mireille%20(Andreloun).%0a%0aShe%20later%20sang%20Cherubino%20in%20Le%20nozze%20di%20Figaro,%20Olympia%20in%20Les%20contes%20d'Hoffmann,%20Rosina%20in%20Il%20barbiere%20di%20Siviglia,%20Leila%20in%20Les%20p%c3%aacheurs%20de%20perles,%20Micaela%20in%20Carmen,%20and%20the%20title%20role%20in%20Lakm%c3%a9%20at%20the%20Salle%20Favart.%20By%201935%20her%20performances%20gained%20her%20invitations%20to%20Marseille%20(Lakm%c3%a9),%20and%20then%20(at%20the%20instigation%20of%20Pierre%20Monteux)%20to%20Amsterdam%20(M%c3%a9lisande)%20and%20San%20Francisco.%20In%20Buenos%20Aires%20Erich%20Kleiber%20conducted%20her%20in%20Sophie%20in%20Der%20Rosenkavalier.%0a%0aShe%20created%20the%20role%20of%20Creuse%20in%20Darius%20Milhaud's%20M%c3%a9d%c3%a9e,%20for%20her%20debut%20at%20the%20Paris%20Op%c3%a9ra%20in%201940,%20where%20she%20also%20sang%20Gilda%20in%20Rigoletto,%20Violetta%20in%20La%20traviata%20and%20Sophie%20in%20Der%20Rosenkavalier,%20among%20other%20roles.%0a%0aOnce%20the%20war%20was%20over,%20her%20career%20became%20more%20international%20than%20it%20had%20been;%20she%20performed%20at%20La%20Scala%20in%20Milan,%20La%20Monnaie%20in%20Brussels,%20Royal%20Opera%20House%20in%20London,%20the%20San%20Francisco%20Opera,%20and%20the%20Lyric%20Opera%20of%20Chicago.%20At%20these%20venues%20she%20sang%20nearly%20all%20the%20great%20French%20soprano%20roles:%20including%20Marguerite,%20Juliette%20in%20the%20Gounod%20opera,%20Massenet's%20Manon,%20and%20M%c3%a9lisande%20in%20Pell%c3%a9as.%20For%20French%20Radio%20she%20sang%20in%20Isoline%20(1947)%20and%20Madame%20Chrysanth%c3%a8me%20(1956),%20by%20Andr%c3%a9%20Messager.%0a%0aMicheau%20was%20also%20active%20in%20concert%20especially%20in%20eighteenth%20century%20French%20works%20such%20as%20Rameau's%20Les%20Indes%20galantes%20and%20Plat%c3%a9e.%20She%20made%20many%20recordings,%20of%20which%20some%20have%20been%20released%20on%20CDs.%20Concert%20works%20in%20her%20repertoire%20included%20Sh%c3%a9h%c3%a9razade%20by%20Ravel,%20Le%20martyre%20de%20Saint%20S%c3%a9bastien%20and%20La%20damoiselle%20%c3%a9lue%20by%20Debussy,%20songs%20by%20Milhaud%20and%20Debussy,%20and%20%c3%80%20la%20musique%20by%20Chabrier%20(which%20she%20also%20recorded).%0a%0aFrom%201961%20she%20became%20a%20voice%20teacher%20at%20the%20Paris%20Conservatoire,%20and%20the%20Mozarteum%20in%20Salzburg.%20Her%20final%20performance%20was%20as%20Pamina%20in%20Rouen%20in%20May%201968.">Janine Micheau (17 April 1914 - 18 October 1976) was a French singer, one of the leading lyric sopranos of her era in France.

Janine (or Jeanine) Micheau was born in Toulouse, and studied voice at the Paris Conservatoire. She made her professional debut at the Opéra-Comique on 16 November 1933, as la Plieuse in Louise, following this with Loys in Juif polonais by Camille Erlanger, the neighbour in Angélique by Jacques Ibert and small roles in Lakmé (Miss Rose) and Mireille (Andreloun).

She later sang Cherubino in Le nozze di Figaro, Olympia in Les contes d'Hoffmann, Rosina in Il barbiere di Siviglia, Leila in Les pêcheurs de perles, Micaela in Carmen, and the title role in Lakmé at the Salle Favart. By 1935 her performances gained her invitations to Marseille (Lakmé), and then (at the instigation of Pierre Monteux) to Amsterdam (Mélisande) and San Francisco. In Buenos Aires Erich Kleiber conducted her in Sophie in Der Rosenkavalier.

She created the role of Creuse in Darius Milhaud's Médée, for her debut at the Paris Opéra in 1940, where she also sang Gilda in Rigoletto, Violetta in La traviata and Sophie in Der Rosenkavalier, among other roles.

Once the war was over, her career became more international than it had been; she performed at La Scala in Milan, La Monnaie in Brussels, Royal Opera House in London, the San Francisco Opera, and the Lyric Opera of Chicago. At these venues she sang nearly all the great French soprano roles: including Marguerite, Juliette in the Gounod opera, Massenet's Manon, and Mélisande in Pelléas. For French Radio she sang in Isoline (1947) and Madame Chrysanthème (1956), by André Messager.

Micheau was also active in concert especially in eighteenth century French works such as Rameau's Les Indes galantes and Platée. She made many recordings, of which some have been released on CDs. Concert works in her repertoire included Shéhérazade by Ravel, Le martyre de Saint Sébastien and La damoiselle élue by Debussy, songs by Milhaud and Debussy, and À la musique by Chabrier (which she also recorded).

From 1961 she became a voice teacher at the Paris Conservatoire, and the Mozarteum in Salzburg. Her final performance was as Pamina in Rouen in May 1968.</OtherInfo>
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
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  <Created label="Created" urlencoded="8%2f6%2f2013" urlpathencoded="8/6/2013">8/6/2013</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
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