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  <Code label="Code" urlencoded="DS%2fUK%2f8381" urlpathencoded="DS/UK/8381">DS/UK/8381</Code>
  <PersonName label="Name" urlencoded="Kraus%3b+Otakar+(1909-1980)%3b+Czech+baritone" urlpathencoded="Kraus;%20Otakar%20(1909-1980);%20Czech%20baritone">Kraus; Otakar (1909-1980); Czech baritone</PersonName>
  <Surname label="Surname" urlencoded="Kraus" urlpathencoded="Kraus">Kraus</Surname>
  <Forenames label="Forenames" urlencoded="Otakar" urlpathencoded="Otakar">Otakar</Forenames>
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  <Title label="Title" urlencoded="" urlpathencoded=""></Title>
  <Dates label="Dates" urlencoded="1909-1980" urlpathencoded="1909-1980">1909-1980</Dates>
  <Epithet label="Epithet" urlencoded="Czech+baritone" urlpathencoded="Czech%20baritone">Czech baritone</Epithet>
  <Gender label="Gender" urlencoded="Male" urlpathencoded="Male">Male</Gender>
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  <OtherInfo label="Biography" urlencoded="Otakar+Kraus+(10+December+1909+%c2%97+28+July+1980)+was+a+Czech+(later+British)%2c+operatic+baritone+and+teacher.+He+was+born+in+Prague+and+studied+there+with+Konrad+Wallerstein+and+in+Milan+with+Fernando+Carpi.+He+himself+was+the+teacher+of+a+number+of+important+British+basses%2c+including+Robert+Lloyd%2c+Willard+White%2c+John+Tomlinson+and+Gwynne+Howell.+He+was+also+the+teacher+of+New+Zealand+baritone+Barry+Mora.+He+made+his+operatic+debut+as+Amonasro+in+Aida+in+Brno+in+1935.+From+1936+to+1939+he+sang+as+principal+baritone+at+the+Slovak+National+Theatre+in+Bratislava.+In+1940%2c+he+moved+to+England%2c+appearing+at+the+Savoy+Theatre+in+Mussorgsky%27s+Sorochynsky+Fair%2c+and+from+1943+to+1946+he+appeared+with+the+Carl+Rosa+Opera+Company%2c+singing+Scarpia%2c+Germont%2c+the+three+roles+in+Hoffmann+and+other+parts.+After+seasons+with+the+English+Opera+Group+and+the+Netherlands+Opera%2c+he+joined+the+Royal+Opera+House%2c+Covent+Garden+in+1951%2c+and+sang+there+until+1973.%0aKraus+specialised+in+villainous+characters.+His+roles+at+Covent+Garden+and+worldwide+included+Don+Pizarro+in+Fidelio%2c+Iago+in+Otello+and+Scarpia+in+Tosca%2c+as+well+as+Alberich+in+the+Ring+cycle+at+the+Bayreuth+Festival+from+1960+to+1962.+He+created+the+roles+of+Nick+Shadow+in+Stravinsky%27s+The+Rake%27s+Progress%2c+Tarquinius+in+Britten%27s+The+Rape+of+Lucretia%2c+King+Fisher+in+Michael+Tippett%27s+The+Midsummer+Marriage%2c+Diomede+in+Walton%27s+Troilus+and+Cressida%2c+and+the+Sheriff+in+Gian+Carlo+Menotti%27s+Martin%27s+Lie.%0aHe+died+in+London." urlpathencoded="Otakar%20Kraus%20(10%20December%201909%20%c2%97%2028%20July%201980)%20was%20a%20Czech%20(later%20British),%20operatic%20baritone%20and%20teacher.%20He%20was%20born%20in%20Prague%20and%20studied%20there%20with%20Konrad%20Wallerstein%20and%20in%20Milan%20with%20Fernando%20Carpi.%20He%20himself%20was%20the%20teacher%20of%20a%20number%20of%20important%20British%20basses,%20including%20Robert%20Lloyd,%20Willard%20White,%20John%20Tomlinson%20and%20Gwynne%20Howell.%20He%20was%20also%20the%20teacher%20of%20New%20Zealand%20baritone%20Barry%20Mora.%20He%20made%20his%20operatic%20debut%20as%20Amonasro%20in%20Aida%20in%20Brno%20in%201935.%20From%201936%20to%201939%20he%20sang%20as%20principal%20baritone%20at%20the%20Slovak%20National%20Theatre%20in%20Bratislava.%20In%201940,%20he%20moved%20to%20England,%20appearing%20at%20the%20Savoy%20Theatre%20in%20Mussorgsky's%20Sorochynsky%20Fair,%20and%20from%201943%20to%201946%20he%20appeared%20with%20the%20Carl%20Rosa%20Opera%20Company,%20singing%20Scarpia,%20Germont,%20the%20three%20roles%20in%20Hoffmann%20and%20other%20parts.%20After%20seasons%20with%20the%20English%20Opera%20Group%20and%20the%20Netherlands%20Opera,%20he%20joined%20the%20Royal%20Opera%20House,%20Covent%20Garden%20in%201951,%20and%20sang%20there%20until%201973.%0aKraus%20specialised%20in%20villainous%20characters.%20His%20roles%20at%20Covent%20Garden%20and%20worldwide%20included%20Don%20Pizarro%20in%20Fidelio,%20Iago%20in%20Otello%20and%20Scarpia%20in%20Tosca,%20as%20well%20as%20Alberich%20in%20the%20Ring%20cycle%20at%20the%20Bayreuth%20Festival%20from%201960%20to%201962.%20He%20created%20the%20roles%20of%20Nick%20Shadow%20in%20Stravinsky's%20The%20Rake's%20Progress,%20Tarquinius%20in%20Britten's%20The%20Rape%20of%20Lucretia,%20King%20Fisher%20in%20Michael%20Tippett's%20The%20Midsummer%20Marriage,%20Diomede%20in%20Walton's%20Troilus%20and%20Cressida,%20and%20the%20Sheriff%20in%20Gian%20Carlo%20Menotti's%20Martin's%20Lie.%0aHe%20died%20in%20London.">Otakar Kraus (10 December 1909  28 July 1980) was a Czech (later British), operatic baritone and teacher. He was born in Prague and studied there with Konrad Wallerstein and in Milan with Fernando Carpi. He himself was the teacher of a number of important British basses, including Robert Lloyd, Willard White, John Tomlinson and Gwynne Howell. He was also the teacher of New Zealand baritone Barry Mora. He made his operatic debut as Amonasro in Aida in Brno in 1935. From 1936 to 1939 he sang as principal baritone at the Slovak National Theatre in Bratislava. In 1940, he moved to England, appearing at the Savoy Theatre in Mussorgsky's Sorochynsky Fair, and from 1943 to 1946 he appeared with the Carl Rosa Opera Company, singing Scarpia, Germont, the three roles in Hoffmann and other parts. After seasons with the English Opera Group and the Netherlands Opera, he joined the Royal Opera House, Covent Garden in 1951, and sang there until 1973.
Kraus specialised in villainous characters. His roles at Covent Garden and worldwide included Don Pizarro in Fidelio, Iago in Otello and Scarpia in Tosca, as well as Alberich in the Ring cycle at the Bayreuth Festival from 1960 to 1962. He created the roles of Nick Shadow in Stravinsky's The Rake's Progress, Tarquinius in Britten's The Rape of Lucretia, King Fisher in Michael Tippett's The Midsummer Marriage, Diomede in Walton's Troilus and Cressida, and the Sheriff in Gian Carlo Menotti's Martin's Lie.
He died in London.</OtherInfo>
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  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
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  <Creator label="Creator" urlencoded="RAHhbaulcombe" urlpathencoded="RAHhbaulcombe">RAHhbaulcombe</Creator>
  <Created label="Created" urlencoded="10%2f16%2f2013" urlpathencoded="10/16/2013">10/16/2013</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
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