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  <Code label="Code" urlencoded="DS%2fUK%2f942" urlpathencoded="DS/UK/942">DS/UK/942</Code>
  <PersonName label="Name" urlencoded="Bruckner%3b+Anton+(4+September+1824-11+October+1896)%3b+Austrian+composer%2c+organist" urlpathencoded="Bruckner;%20Anton%20(4%20September%201824-11%20October%201896);%20Austrian%20composer,%20organist">Bruckner; Anton (4 September 1824-11 October 1896); Austrian composer, organist</PersonName>
  <Surname label="Surname" urlencoded="Bruckner" urlpathencoded="Bruckner">Bruckner</Surname>
  <Forenames label="Forenames" urlencoded="Anton" urlpathencoded="Anton">Anton</Forenames>
  <PreTitle label="PreTitle" urlencoded="" urlpathencoded=""></PreTitle>
  <Title label="Title" urlencoded="" urlpathencoded=""></Title>
  <Dates label="Dates" urlencoded="4+September+1824-11+October+1896" urlpathencoded="4%20September%201824-11%20October%201896">4 September 1824-11 October 1896</Dates>
  <Epithet label="Epithet" urlencoded="Austrian+composer%2c+organist" urlpathencoded="Austrian%20composer,%20organist">Austrian composer, organist</Epithet>
  <Gender label="Gender" urlencoded="Male" urlpathencoded="Male">Male</Gender>
  <ParallelEntry label="Variations of Name" urlencoded="Josef+Anton+Bruckner" urlpathencoded="Josef%20Anton%20Bruckner">Josef Anton Bruckner </ParallelEntry>
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  <DatesAndPlaces label="Place of Birth/Origin" urlencoded="Ansfelden%2c+Austria+(born)" urlpathencoded="Ansfelden,%20Austria%20(born)">Ansfelden, Austria (born)</DatesAndPlaces>
  <Address label="Address" urlencoded="Vienna%2c+Austria+(died)" urlpathencoded="Vienna,%20Austria%20(died)">Vienna, Austria (died)</Address>
  <Nationality label="Nationality" urlencoded="" urlpathencoded=""></Nationality>
  <Activity label="Activity" urlencoded="Musician%3b+Organ+%2f+Composer" urlpathencoded="Musician;%20Organ%20/%20Composer">Musician; Organ / Composer</Activity>
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  <OtherInfo label="Biography" urlencoded="Josef+Anton+Bruckner+was+an+Austrian+composer%2c+organist%2c+and+music+theorist+best+known+for+his+symphonies%2c+masses%2c+Te+Deum+and+motets.+The+first+are+considered+emblematic+of+the+final+stage+of+Austro-German+Romanticism+because+of+their+rich+harmonic+language%2c+strongly+polyphonic+character%2c+and+considerable+length.+Bruckner%27s+compositions+helped+to+define+contemporary+musical+radicalism%2c+owing+to+their+dissonances%2c+unprepared+modulations%2c+and+roving+harmonies.%0a%0aUnlike+other+musical+radicals+such+as+Richard+Wagner+and+Hugo+Wolf%2c+Bruckner+showed+extreme+humility+before+other+musicians%2c+Wagner+in+particular.+This+apparent+dichotomy+between+Bruckner+the+person+and+Bruckner+the+composer+hampers+efforts+to+describe+his+life+in+a+way+that+gives+a+straightforward+context+for+his+music.+Hans+von+B%c3%bclow+described+him+as+%22half+genius%2c+half+simpleton%22.+Bruckner+was+self-critical+of+his+work%2c+and+often+reworked+his+compositions.+There+are+several+versions+of+many+of+his+works.%0a%0aHis+works%2c+the+symphonies+in+particular%2c+had+detractors%2c+most+notably+the+influential+Austrian+critic+Eduard+Hanslick%2c+and+other+supporters+of+Johannes+Brahms+who+pointed+to+their+large+size+and+use+of+repetition%2c%5b3%5d+as+well+as+to+Bruckner%27s+propensity+for+revising+many+of+his+works%2c+often+with+the+assistance+of+colleagues%2c+and+his+apparent+indecision+about+which+versions+he+preferred.+On+the+other+hand%2c+Bruckner+was+greatly+admired+by+subsequent+composers+including+his+friend+Gustav+Mahler." urlpathencoded="Josef%20Anton%20Bruckner%20was%20an%20Austrian%20composer,%20organist,%20and%20music%20theorist%20best%20known%20for%20his%20symphonies,%20masses,%20Te%20Deum%20and%20motets.%20The%20first%20are%20considered%20emblematic%20of%20the%20final%20stage%20of%20Austro-German%20Romanticism%20because%20of%20their%20rich%20harmonic%20language,%20strongly%20polyphonic%20character,%20and%20considerable%20length.%20Bruckner's%20compositions%20helped%20to%20define%20contemporary%20musical%20radicalism,%20owing%20to%20their%20dissonances,%20unprepared%20modulations,%20and%20roving%20harmonies.%0a%0aUnlike%20other%20musical%20radicals%20such%20as%20Richard%20Wagner%20and%20Hugo%20Wolf,%20Bruckner%20showed%20extreme%20humility%20before%20other%20musicians,%20Wagner%20in%20particular.%20This%20apparent%20dichotomy%20between%20Bruckner%20the%20person%20and%20Bruckner%20the%20composer%20hampers%20efforts%20to%20describe%20his%20life%20in%20a%20way%20that%20gives%20a%20straightforward%20context%20for%20his%20music.%20Hans%20von%20B%c3%bclow%20described%20him%20as%20&quot;half%20genius,%20half%20simpleton&quot;.%20Bruckner%20was%20self-critical%20of%20his%20work,%20and%20often%20reworked%20his%20compositions.%20There%20are%20several%20versions%20of%20many%20of%20his%20works.%0a%0aHis%20works,%20the%20symphonies%20in%20particular,%20had%20detractors,%20most%20notably%20the%20influential%20Austrian%20critic%20Eduard%20Hanslick,%20and%20other%20supporters%20of%20Johannes%20Brahms%20who%20pointed%20to%20their%20large%20size%20and%20use%20of%20repetition,[3]%20as%20well%20as%20to%20Bruckner's%20propensity%20for%20revising%20many%20of%20his%20works,%20often%20with%20the%20assistance%20of%20colleagues,%20and%20his%20apparent%20indecision%20about%20which%20versions%20he%20preferred.%20On%20the%20other%20hand,%20Bruckner%20was%20greatly%20admired%20by%20subsequent%20composers%20including%20his%20friend%20Gustav%20Mahler.">Josef Anton Bruckner was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.

Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the person and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was self-critical of his work, and often reworked his compositions. There are several versions of many of his works.

His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms who pointed to their large size and use of repetition,[3] as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers including his friend Gustav Mahler.</OtherInfo>
  <Source label="Source" urlencoded="https%3a%2f%2fen.wikipedia.org%2fwiki%2fAnton_Bruckner+(April+2019)" urlpathencoded="https://en.wikipedia.org/wiki/Anton_Bruckner%20(April%202019)">https://en.wikipedia.org/wiki/Anton_Bruckner (April 2019)</Source>
  <Conventions label="Conventions" urlencoded="International+Standard+Archival+Authority+Record+for+Corporate+Bodies%2c+Persons+and+Families+-+ISAAR(CPF)+2nd+edition+-+ICA+2004+ISBN+2-9521932-2-3%0a%0aNational+Council+on+Archives%2c+Rules+for+the+Construction+of+Personal%2c+Place+and+Corporate+Names%2c+1997" urlpathencoded="International%20Standard%20Archival%20Authority%20Record%20for%20Corporate%20Bodies,%20Persons%20and%20Families%20-%20ISAAR(CPF)%202nd%20edition%20-%20ICA%202004%20ISBN%202-9521932-2-3%0a%0aNational%20Council%20on%20Archives,%20Rules%20for%20the%20Construction%20of%20Personal,%20Place%20and%20Corporate%20Names,%201997">International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) 2nd edition - ICA 2004 ISBN 2-9521932-2-3

National Council on Archives, Rules for the Construction of Personal, Place and Corporate Names, 1997</Conventions>
  <PublicView label="PublicView" urlencoded="Yes" urlpathencoded="Yes">Yes</PublicView>
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  <Created label="Created" urlencoded="8%2f13%2f2012" urlpathencoded="8/13/2012">8/13/2012</Created>
  <Modifier label="Modifier" urlencoded="Rachael.Fragola" urlpathencoded="Rachael.Fragola">Rachael.Fragola</Modifier>
  <Modified label="Modified" urlencoded="3%2f1%2f2022" urlpathencoded="3/1/2022">3/1/2022</Modified>
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